À propos de Pierre Rivière
About René Allio's 1973 film, " I, Pierre Rivière…", Pascal Kané interviews the filmmaker as well as Michel Foucault, the scientific editor of Pierre Rivière's text.
About René Allio's 1973 film, " I, Pierre Rivière…", Pascal Kané interviews the filmmaker as well as Michel Foucault, the scientific editor of Pierre Rivière's text.
Michel Foucault
René Allio
About René Allio's 1973 film, " I, Pierre Rivière…", Pascal Kané interviews the filmmaker as well as Michel Foucault, the scientific editor of Pierre Rivière's text.
Pierre is a clumsy, overly serious math teacher at an all-girls high school. His life is thrown into chaos after encountering a beautiful British actress and the paparazzi that follow her around.
Tongue-in-cheek look at the French Riviera, especially in summer when it overflows with tourists. Reviews its history and famous visitors; displays its faux-exotic buildings, its crowded beaches, its trees and monuments; and, pokes fun at the colors women wear and the vagaries of fashion. The film celebrates the use of "Eden" as a place name, suggesting that paradise comes to the coast after all are gone, perhaps only on a remote island beach.
The mind of Pierre Bérard, a successful middle-aged architect, is torn between his unstable present with Hélène, his younger lover, and his happy memories of the past with Catherine, his ex-wife; but his true destiny awaits him at a crossroads on his way to Rennes…
Martin Scorsese, Robert De Niro, Joe Pesci, and Al Pacino in conversation about The Irishman.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
เพื่อพิสูจน์ว่าเขายังคงแข็งแกร่งและทรงพลัง ฟิลิปป์ ดูเวียร์จึงตัดสินใจฆ่าหัวหน้าผู้ตรวจการฌาค คลูโซ เมื่อคลูโซเสียชีวิต ชาร์ลส์ เดรย์ฟุส อดีตหัวหน้าผู้ตรวจการก็รู้สึกดีขึ้นมาก และได้รับการปล่อยตัวจากโรงพยาบาลจิตเวช ฌาค คลูโซพยายามใช้ประโยชน์จาก "การเสียชีวิต" ของเขาและเข้าไปร่วมมือกับคาโตเพื่อค้นหาว่าใครพยายามลอบสังหารเขา
Maria Callas, the world's greatest opera singer, lives the last days of her life in 1970s Paris, as she confronts her identity and life.
On a small town college campus, a philosophy professor in existential crisis gives his life new purpose when he enters into a relationship with his student.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
จากผลงานของผู้อำนวยการสร้าง โอปราห์ วินฟรีย์ สารคดีเปิดหมดเปลือกนี้ทำขึ้นเพื่อเป็นเกียรติแก่ซิดนีย์ พอทิเยร์ ตำนานแห่งนักแสดง ผู้สร้างหนังและนักกิจกรรมผู้เรียกร้องสิทธิพลเมือง ร่วมด้วยบทสัมภาษณ์เดนเซล วอชิงตัน, สไปค์ ลี. บาร์บารา สไตรแซนด์ และอื่นๆ อีกมาก