Yori

The brutal former heavyweight boxing champion Cleon "Slammin'" Salmon (Duncan), now owner of a Miami restaurant, institutes a competition to see which waiter can earn the most money in one night: the winner stands to gain $10,000, while the loser will endure a beating at the hands of the champ.

The family dinner at Stephan and Elisabeth could have been wonderful. But when Thomas announces that he and his pregnant girlfriend Anna are going to call their son Adolf, the hosts and the family friend René are stuck in the throat.

ความสัมพันธ์ของหญิงสาววัย 27 ปีที่กลัวการผูกมัดต้องพบกับการทดสอบเมื่อเธอและแฟนหนุ่มเข้าร่วมงานแต่งงาน 7 งานในปีเดียวกัน

A young man goes on a road trip with an old lady he saves from a hospital.

Three friends from school, Thomas, Nils and Andreas, are still searching for love in their adult lives.

ชายวัยกลางคนสามคนฝึกฝนทักษะศิลปะการต่อสู้เพื่อล้างแค้นให้กับเจ้านายที่ล้มลง

The Berger and Böttcher families come to Dorothea's finca on Lanzarote for a weekend trip. The mood is tense and escalates as various mysteries are revealed.

Gulley Jimson is a boorish aging artist recently released from prison. A swindler in search of his next art project, he hunkers down in the penthouse of would-be patrons the Beeders while they go on an extended vacation; he paints a mural on their wall, pawns their valuables and, along with the sculptor Abel, inadvertently smashes a large hole in their floor. Jimson's next project is an even larger wall in an abandoned church.

Eleven moving dates, eight friends: Philipp, Wiebke, Jessica, Maria, Swantje, Michael, Thomas, Dina – all in their twenties and mutually lonesome. And always searching: For a new city, a new job, an own apartment, a new, or even an old love. The search is never-ending, and so they repeatedly find themselves at a ritual gathering: someone moving. Boxes are shifted from one side of Berlin to the other, or the length and breadth of Germany, from one abode to the next as one life is exchanged for another. In 3 ZIMMER/KÜCHE/BAD, director Dietrich Brüggemann portrays existences in which relationships, social networks and backdrops are in a constant state of flux; where best friends are the only, and therefore the most valuable constant. Humorous sketches of the self-conception of a generation for whom moving has become the symbol of a life on the go.

Although he actually just wanted to steal money, the crook Denis finds himself in the position of caretaking for the stroke patient Raimund. When Raimund's granddaughter Charlotte turns up, Denis has enough of it and wants to skip. But because of an huge blizzard, escape is unimaginable.