Bad Movie Police: Case #3: Humanoids From Atlantis
"Movies so bad... there ought to be a law!"
The Bad Movie Police force deals with an obnoxious low-budget actor who "wants" to be arrested for appearing in the movie HUMANOIDS FROM ATLANTIS (1992).
"Movies so bad... there ought to be a law!"
The Bad Movie Police force deals with an obnoxious low-budget actor who "wants" to be arrested for appearing in the movie HUMANOIDS FROM ATLANTIS (1992).
The Bad Movie Police force deals with an obnoxious low-budget actor who "wants" to be arrested for appearing in the movie HUMANOIDS FROM ATLANTIS (1992).
A big-city cop is reassigned to the country after his superiors find him too angry to be an effective policeman. While on his temporary assignment he assists in a manhunt of a suspected murderer.
Novice policemen Stan and Ollie bungle a burglary investigation.
A criminal mastermind sets up a phony film production as part of a plan to smuggle stolen gold.
A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.
A derelict, huddled under the steps of a missionary church, feels enlightened by the sermon of a passionate preacher and infatuated by the beauty of the congregation's pianist, in such a way that he tries to improve his life of poverty by becoming a policeman. His first assignment will be to patrol along Easy Street, the turf of a vicious bully and his criminal gang.
A group of bad cops look to dispose of a body that one of them accidentally shot.
Police Lt. Leonard Diamond vies to bring a clever, well connected, and sadistic gangster to justice all the while obsessing over the gangster's girlfriend.
P.C. George Dixon is a long-serving traditional copper who is due to retire shortly. He takes a new recruit under his aegis and introduces him to the easy-going night beat. Dixon is a classic ordinary hero but also anachronistic, unprepared and unable to answer the violence of the 1950s.
Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.
The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice's united mob.