Фуэте́ Backdrop Blur
Фуэте́ Poster
7.0 1h 40m

Фуэте́

Prima-ballerina Elena Knyazeva prepares for her performance on the anniversary jubilee for the theater Swan Lake on the eve of her fiftieth birthday and simultaneously participates in the production of the innovative ballet Master and Margarita. Suddenly, the choreographer gives the role of a young ballerina, with whom he begins an affair. Overcoming jealousy and desperation, Knyazeva begins to work with the student over the image of Margarita

นักแสดงนำ

  • Ekaterina Maksimova

    Ekaterina Maksimova

    Elena Knyazeva

  • Владимир Васильев

    Владимир Васильев

    Andrey Novikov

  • Аристарх Ливанов

    Аристарх Ливанов

    Knyazev

  • Валентин Гафт

    Валентин Гафт

    Poet

  • Наталья Большакова

    Наталья Большакова

    Ksana

  • Angelina Kabarova

    Angelina Kabarova

    Tutor

  • Konstantin Zaklinsky

    Konstantin Zaklinsky

    Klimov

  • Alla Osipenko

    Alla Osipenko

    Girlfriend

  • Михаил Щеглов

    Михаил Щеглов

เรื่องย่อ

Prima-ballerina Elena Knyazeva prepares for her performance on the anniversary jubilee for the theater Swan Lake on the eve of her fiftieth birthday and simultaneously participates in the production of the innovative ballet Master and Margarita. Suddenly, the choreographer gives the role of a young ballerina, with whom he begins an affair. Overcoming jealousy and desperation, Knyazeva begins to work with the student over the image of Margarita

คะแนน

7.0 / 10
3 รีวิว
0 ยอดนิยม

ภาพยนตร์แนะนำ

The Bolshoi

Young and extremely talented dancer Yulya Olshanskaya from a small mining town draws a “happy ticket”: she is noticed by a former ballet dancer Pototsky and he promises her a future of great ballerina, worthy of the main stage of the country. However, in order to become a diamond, anyone, even the most outstanding brilliant, needs to be cut, and the way to the legendary stage of The Bolshoi Theatre for Yulya lies through the walls of the ballet school, where the more capricious teacher Galina Mikhailovna Beletskaya takes custody of the rebellious provincial. Turning into a prima will require incredible self-denial, and Yulya herself will have to make sure that the big ballet is not only the whiteness of the packs, the gold of the boxes and the slip of silk ribbons. But no obstacles will stop the one who has the big dream.

The Bolshoi

6.1 2016
Salomé

After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.

Salomé

6.2 2013
เวทีแห่งความฝัน

พบเรื่องจริงอันน่าทึ่งของนักบัลเลต์ชื่อดังซึ่งเป็นตำนาน รูดอล์ฟ นูเรเยฟ ที่ถูกถ่ายทอดให้มีชีวิตขึ้นมาโดย นักแสดงที่ได้รับการเสนอชื่อชิงรางวัลออสการ์ ราล์ฟ ไฟน์ส และนักเขียนบทผู้ชนะรางวัลบาฟต้า เดวิด แฮร์ พบกับชีวิตวัยเด็กอันแสนยากจนจองนูเรเยฟ ในเมืองอูฟา สหภาพโซเวียต จนเมื่ออาชีพของเขารุ่งโรจน์ในฐานะนักเต้นในคณะเลนินการ์ด จนถึงช่วงที่เขาหนีไปสู่ตะวันตกอันน่าตื่นเต้นในเมื่อสงครามเย็นปะทุถึงขีดสุด เดอะ ไวท์ โครว์ คือภาพเรื่องราวันน่าตื่นเต้นและการเปิดเส้นทางใหม่ของศิลปินผู้โดดเด่นซึ่งกลายมาเป็นนักบัลเลต์ระดับโลกตลอดกาล

เวทีแห่งความฝัน

6.6 2018
Hamlet

Shakespeare's 17th century masterpiece about the "Melancholy Dane" was given one of its best screen treatments by Soviet director Grigori Kozintsev. Kozintsev's Elsinore was a real castle in Estonia, utilized metaphorically as the "stone prison" of the mind wherein Hamlet must confine himself in order to avenge his father's death. Hamlet himself is portrayed (by Innokenti Smoktunovsky) as the sole sensitive intellectual in a world made up of debauchers and revellers. Several of Kozintsev directorial choices seem deliberately calculated to inflame the purists: Hamlet's delivers his "To be or not to be" soliloquy with his back to the camera, allowing the audience to fill in its own interpretations.

Hamlet

7.2 1964