Lionel Soukaz opens a wooden panel to discover the sky and comes across Italian workers singing. He longs for them and, when they leave in the evening, finds himself alone, watching television. This video mirror sends him back to his own time: Nixon, Giscard. So he dances like a cry for help: "Love me!”. The cross-dressing scenes are like a coming out, revealing the feminine side of the filmmaker at just twenty years of age.
Lionel Soukaz
Lionel Soukaz opens a wooden panel to discover the sky and comes across Italian workers singing. He longs for them and, when they leave in the evening, finds himself alone, watching television. This video mirror sends him back to his own time: Nixon, Giscard. So he dances like a cry for help: "Love me!”. The cross-dressing scenes are like a coming out, revealing the feminine side of the filmmaker at just twenty years of age.
An ambitious coffee salesman has a series of improbable and ironic adventures seemingly designed to challenge his naive idealism.
สารคดีปลอมๆ ฮาฮา เกี่ยวกับศึกแมทซ์ชิงแชมป์เทนนิสครั้งยิ่งใหญ่ 7 แมทซ์ การแข่งขันมาราธอน 5 เซ็ทระหว่างคนอารมณ์ร้ายกับเด็กเอ๋อ
Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.
Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.
Delinquent Tyler Gage receives the opportunity of a lifetime after vandalizing a performing arts school, gaining him the chance to earn a scholarship and dance with up-and-coming dancer Nora.
When five ragtag freshman first meet in detention, it seems they have nothing in common. But, through music, they form an unbreakable bond and discover they have the makings of the greatest high school garage band in history! In the face of incredible odds, Olivia, Stella, Wen, Mohini and Charlie find they can make a real difference when they learn to lean on each other and let go of everything holding back their dreams.
In Lille, Claire Gauthier is an ordinary married woman with a young daughter that works in an insurance company analyzing losses of insured properties. When the single veterinary Laurent Kessler claims damage in his basement caused by a flooding due to water leakage, Claire resolves the situation favorably for him. The weird Laurent visits Claire in her office successively, inviting her for drinks and lunch, and they get close to each other. Meanwhile, a serial killer is terrorizing Lille, killing women with a scalpel. Claire feels a great attraction for Laurent, who has an unusual behavior in her apartment. When Claire sees a scalpel in the pocket of Laurent's jacket, she fears him, but still loves him.
As part of an intergalactic coalition, a well-meaning space alien volunteers to bring a message of self-actualization and harmony with nature to the one planet rejected by all her peers as incorrigible: Earth.
Zoë is a single mother who lives with her four children in Dartford. She is poor and can't afford to buy food. One day her old flame drives by and asks her to go on a date with him. Scared that he doesn't want to go out with her, she lies and tells him that she is just babysitting the kids. This will be her first date in years.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.