"“Desire”is not describing a story, it is a concept. but a conceptual film based on the nature of the world and the human being."
“Desire”Is a movie without any story. It is an image of concept with human desire as its symbol. It uses metaphor and symbolization to display human beings’ greedy and indescribable desire through continuous imbroglio between spirit and material. what is of the most important to explore the new power of movie (Image) languages？
Jie Mao
“Desire”Is a movie without any story. It is an image of concept with human desire as its symbol. It uses metaphor and symbolization to display human beings’ greedy and indescribable desire through continuous imbroglio between spirit and material. what is of the most important to explore the new power of movie (Image) languages？
A shy caretaker believes that the father of her teenage charge is falling in love with her, unaware that she is actually the victim of the girl's prank.
หลังจากที่ได้ทำลายของเล่นลึกลับที่มีชื่อว่า วัน วิช วิลโลว์ เพื่อที่จะเอาชนะใจหญิงสาวที่เขาตกหลุมรัก ชายผู้เชื่อมั่นในรักแท้คนหนึ่งก็ได้ในสิ่งที่เขาต้องการมา แต่ไม่นานนักเขาก็พบว่า ความต้องการบางอย่างมาพร้อมกับราคาอันน่าสยดสยองที่ต้องจ่าย
When seventeen-year-old Hannah stumbles upon a website about Thinspiration--an online community devoted to anorexia as a life choice--she becomes an obsessive follower of the site founder, ButterflyAna. By the time Hannah's family realizes what is happening and get Hannah the help she needs, the disease has fully taken hold and Hannah is refusing to eat. Will this family be able to exorcise the demon of anorexia from their lives?
ปี 1936 อังกฤษมีนโยบายให้นักศึกษาจบใหม่ ต้องไปประจำการอยู่ที่อาณานิคม หนุ่มไฟแรงปรารถนาแรงกล้าที่จะพัฒนาอาณานิคมให้เป็นไปตามแบบอังกฤษถิ่นผู้ดี ได้ไปที่ ซาราวัก , มาเลเซีย และเพื่อให้เขาได้เรียนรู้ภาษาท้องถิ่นได้เร็ว คนพื้นเมืองเผ่าล่าหัวมนุษย์มีธรรมเนียมให้สาวสวยในหมู่บ้าน ไปอยู่ด้วย โดยทำหน้าที่เป็น
Thomas Montgomery, a married father of two young daughters, gets seduced by the world of online gambling and chat rooms where a virtual romance and sexual obsession ultimately leads to the murder of an innocent man.
After her mother is killed by a car bomb, a 17-year-old girl lives a reckless and decadent lifestyle. She begins having sex with a boy who works at a local ski resort. He falls in love, and she tells him of her suspicions that her strict father was responsible for her mother's death and wants him to help her out of her situation. He must decide whether she's telling the truth or using him to her own ends.
Howard Spence has seen better days. Once a big Western movie star, he now drowns his disgust for his selfish and failed life with alcohol, drugs and young women. If he were to die now, nobody would shed a tear over him, that's the sad truth. Until one day Howard learns that he might have a child somewhere out there...
A journey into the labyrinthine heart of ideology, which shapes and justifies both collective and personal beliefs and practices: with an infectious zeal and voracious appetite for popular culture, Slovenian philosopher and psychoanalyst Slavoj Žižek analyzes several of the most important films in the history of cinema to explain how cinematic narrative helps to reinforce prevailing ethics and political ideas.
A grieving couple retreats to their cabin 'Eden' in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.
An outlaw band flees a posse and rides into Refuge, a small town where no one carries a gun, drinks, or swears. The town is actually Purgatory, and the peaceful inhabitants are all famous dead outlaws and criminals such as Doc Holiday and Wild Bill Hickok who must redeem themselves before gaining admittance to Heaven... or screw up and go to Hell.