Untitled
"Black. White. Colour."
A found-footage short inspired by interrupting trains of thought and the duality of colour.
"Black. White. Colour."
A found-footage short inspired by interrupting trains of thought and the duality of colour.
A found-footage short inspired by interrupting trains of thought and the duality of colour.
Bruce Conner's landmark experimental film consisting entirely of found footage edited to a new score.
Told through performances, TV interviews, home movies, family photographs, private letters and unpublished memoirs, the film reveals the essence of an extraordinary woman who rose from humble beginnings in New York City to become a glamorous international superstar and one of the greatest artists of all time.
When a group of misfits is hired by an unknown third party to burglarize a desolate house and acquire one rare VHS tape, they discover more found footage than they had bargained for.
Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years.
William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.
Amber Heard and Nicole Kidman discuss their characters Mera and Atlanna.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
เรื่องราวของเดวิด นักเรียนไฮสคูลสุดฉลาดปราดเปรื่องและผองเพื่อน ที่ได้ค้นพบแบบพิมพ์เขียวของอุปกรณ์ลึกลับ ซึ่งมีศักยภาพไร้ขีดจำกัด และนำพาชีวิตพวกเราไปสู่อันตราย ติดตามเรื่องราวของเดวิดและเพื่อน ๆ กับการเดินทางข้ามเวลาและการกลับไปแก้ไขอดีตที่ผิดพลาดหรือทำสิ่งต่าง ๆ เพื่อประโยชน์ของตนเอง ซึ่งส่งผลกระทบต่อปัจจุบันอย่างไม่คาดคิด
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.