Iliana Lolic fait l'éloge de Luc Moullet is part of the Carnets filmés that Gérard Courant has been making since the 1970s. The film is a meeting, filmed on 20 August 2000 in Paris, with the actress Iliana Lolic. In this film by Gérard Courant, Iliana Lolic, an actress in Le Fantôme de Longstaff (1996) and Au champ d'honneur (1998) by Luc Moullet, talks about her cinematic experience with this unclassifiable filmmaker.
Iliana Lolic fait l'éloge de Luc Moullet is part of the Carnets filmés that Gérard Courant has been making since the 1970s. The film is a meeting, filmed on 20 August 2000 in Paris, with the actress Iliana Lolic. In this film by Gérard Courant, Iliana Lolic, an actress in Le Fantôme de Longstaff (1996) and Au champ d'honneur (1998) by Luc Moullet, talks about her cinematic experience with this unclassifiable filmmaker.
ในบริบททางสังคมที่เสื่อมโทรมลงจากวิกฤตเศรษฐกิจระดับประเทศ ชีวิตของผู้คนหลายคนต้องพลิกผันหลังจากที่พวกเขาได้พบกับเซซิล ตัวละครที่เป็นสัญลักษณ์ของความปรารถนา
A bored young man meets with his former girlfriend, now a cabaret dancer and single mother, and soon finds himself falling back in love with her.
In 1852, the mountain village in Provence where Violette lives is brutally deprived of all its men after the repression of the republicans ordered by Napoleon III. Women spend months in total isolation, desperate to see their men again. In this situation, they make an oath in case a man arrives in the village.
In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.
เรื่องราวสร้างแรงบันดาลใจของริชาร์ด มอนทาเนซ ที่นำเอาการเติบโตแบบคนเม็กซิกัน-อเมริกันมาทำให้เฟลมินฮอตชีโตสกลายเป็นปรากฏการณ์ระดับโลก
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.
Lola is a striking teenaged girl who is on the cusp of adulthood and longs to rush into the adult world of independence, freedom and sexual exploits, but is tenaciously held back by her mother.
An inexperienced young actress is invited to play a role in a film based on Dostoyevsky's 'The Possessed'. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into commiting a political assassination.