Der Rhein fließt ins Mittelmeer
In associative montages of images and conversations with people in Germany, Poland and ultimately in Israel, this film explores persistent traumas, mechanisms of repressing the pain, and attempts at reconciliation. What kind of dialogue is possible between relatives of perpetrators and victims? How does one’s identity or membership in a community mould one’s awareness and perception? With these questions in mind after his return, Avnon also takes a different view of the Israeli-Palestinian conflict, which is visibly inscribed in the social space of his home town of Haifa.
