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Mentiras & Humilhacoes

Lies & Humiliations is a haunting and lyrical work that merges poetic language and Super-8 images to invoke memory and its ghosts. Infused with an almost ethereal light, images of a house evoke its past — an old-fashioned kitchen and dining room, an ancient roof. Visions that recall childhood memories are superimposed like apparitions onto images of the present. Spoken in voiceover, a Carlos Drumond de Andrade poem, LIQUIDACAO/Special Sale, becomes a denunciatory litany that emphasizes the past's inability to cope with the future: "The house was sold, with/All its remembrances/All its furniture/All its nightmares/All its committed sins/Or those about to be..."

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Lies & Humiliations is a haunting and lyrical work that merges poetic language and Super-8 images to invoke memory and its ghosts. Infused with an almost ethereal light, images of a house evoke its past — an old-fashioned kitchen and dining room, an ancient roof. Visions that recall childhood memories are superimposed like apparitions onto images of the present. Spoken in voiceover, a Carlos Drumond de Andrade poem, LIQUIDACAO/Special Sale, becomes a denunciatory litany that emphasizes the past's inability to cope with the future: "The house was sold, with/All its remembrances/All its furniture/All its nightmares/All its committed sins/Or those about to be..."

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House of Sand and Fog

Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

House of Sand and Fog

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