A portrait of Italy observed through the eyes of teenagers who talk about the places they live in and imagine themselves, torn between the opportunities that surround them, the dream of what they want to become, the fear of failing, the trials they hope to overcome.
Pietro Marcello
Self (voice)
Francesco Munzi
Self (voice)
Carlotta Parodi
Marzia
Alice Rohrwacher
Self (voice)
Luigi Comencini
Self (archive footage) (voice)
A portrait of Italy observed through the eyes of teenagers who talk about the places they live in and imagine themselves, torn between the opportunities that surround them, the dream of what they want to become, the fear of failing, the trials they hope to overcome.
The thing that is most striking about this documentary is that virtually none of the views expressed here (save, perhaps, those on religion) are any different from those expressed by my generation in the UK thirty years ago. A variety of youngsters from the length and breadth of Italy offer us their views on how they perceive not just their own future but the broader options for mankind in an honest and initially interesting fashion. Everything from the optimistic to the downright naive. What is consistent, again, is the constant referral to the older generations as "they" as if their parents and grandparents were aloof, sitting on-high somewhere, never having been young themselves. Never having had dreams and ambitions that they ultimately sacrificed and/or compromised so that these folks could tell us about the relative successes and failures of their inherited society. As you might expect, it also ranges from high and principled aspirations to more basic ones, and the contributors range from shy and retiring to confident and outgoing, and it does make for a thought-provoking watch for a while. After half an hour, though, the originality starts to become replaced by a more repetitive narrative that might well resonate in Italy where geographical and societal influences may hold more store, but elsewhere it comes across as a competently but basically produced vehicle for a wide range of opinions that will probably still reflect views twenty years hence as accurately as it would have done for those twenty years previously. It's far too long, but if you are interested then wait til it gets a television outing. There is no need to see this in a cinema.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
ในผลงานกำกับภาพยนตร์ขนาดยาวเรื่องแรก มาริสกา ฮาร์กิเทย์พาผู้ชมย้อนรอยเรื่องราวของแม่ของเธอเป็นครั้งแรก เจน แมนส์ฟีลด์ ตำนานฮอลลีวู้ดผู้จากไปอย่างน่าเศร้าเมื่อเกือบหกทศวรรษก่อน การค้นหาครั้งนี้คือการตามหา “แม่” ที่เธอไม่เคยได้รู้จัก
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.
A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
สารคดีเผยชีวิตของแอนนา นิโคล สมิธผ่านสายตาของผู้คนใกล้ชิด ตั้งแต่ช่วงที่โด่งดังเป็นพลุแตกในฐานะนางแบบ ไปจนถึงการเสียชีวิตที่น่าเศร้า
เหตุการณ์โกลาหลสั่นสะเทือนเมืองอันเงียบสงบของเนเธอร์แลนด์ สารคดีที่ชวนอึ้งนี้เล่าถึงคำเชิญมาร่วมงานเลี้ยงวันเกิดของวัยรุ่น ที่กลายเป็นไวรัลบนเฟสบุ๊กโดยไม่ได้ตั้งใจ
Film which travels inside the singular world of one of Italy's most famous fashion designers, Valentino Garavani, documenting the colourful and dramatic closing act of his celebrated career and capturing the end of an era in global fashion. However, at the heart of the film is a love story - the unique relationship between Valentino and his business partner and companion of 50 years, Giancarlo Giammetti. Capturing intimate moments in the lives of two of Italy's richest and most famous men, the film lifts the curtain on the final act of a nearly 50-year reign at the top of the glamorous and fiercely competitive world of fashion. (Storyville)
Alexander McQueen's rags-to-riches story is a modern-day fairy tale, laced with the gothic. Mirroring the savage beauty, boldness and vivacity of his design, this documentary is an intimate revelation of McQueen's own world, both tortured and inspired, which celebrates a radical and mesmerizing genius of profound influence.
Capturing life on the Italian island of Lampedusa, a frontline in the European migrant crisis.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".