Victor, an aimless womaniser seen as a burden by friends and family begins to experience disturbing hallucinations in the wake of a new romantic relationship with a man, Lionel. These apparitions become more visceral as the two become more emotionally attached until it all reaches a breaking point.
Fabien Ara
Victor
Olivier Bureau
Mathieu
Tanguy Mendrisse
Lionel
Jade Barbarin
Marie
David Simon
Olivier
Capucine Lamarque
Ludmilla
Carole de Luca
Adèle
Chiara Maziere
Chloé
Victor, an aimless womaniser seen as a burden by friends and family begins to experience disturbing hallucinations in the wake of a new romantic relationship with a man, Lionel. These apparitions become more visceral as the two become more emotionally attached until it all reaches a breaking point.
"Victor" (Fabian Ara) lives a fairly empty and restless life that largely centres around himself and causes consternation to his two friends "Mathieu" (Olivier Bureau) and "Ludmilla" (Capucine Lamarque). Things might be taking a turn for the better though when he ends up in a bar one evening and meets "Lionel" (Tanguy Mendrisse). I think it's fair to say that "Victor" didn't have his gaydar switched on that first evening, but as the men share a pizza and subsequently get to know each other - well you can guess the next bit. The thing is, though, that simultaneously - "Victor" is having trouble with his wardrobe. Narnia? No, not quite - but quite possibly Hell. Worms and smells begin to emanate from it, and then - well something straight out of an Hammer film. Nobody believes him. He is just attention seeking. He is losing his mind. Is he though? Might there actually be something evil lurking in his armoire? There is something about Ara - he does engage with the camera and the audience. The problem here is that the rest of the cast and the plot are so daft, and the film seems so interminably long, that by about an hour in I had completely lost interest in the whole thing. Quite what director Julien Botzanowski was trying to deliver for us here is anyone's guess. It's not a romance, or a horror, or a comedy - it's a mess! The story is all over the place, repetitive and the central character proves, quickly, to be an annoying and selfish man in whom I couldn't invest my time, let alone any emotion. Maybe a structured re-edit with a focus on the characterisations and a tighter edit of the rambling dialogue might be worthwhile? As it is, this is a lot of time for not a lot of reward.
A fraught mother-daughter relationship is put to a terrifying test when the family patriarch dies, and the grieving mother hires a mysterious stranger to bring her husband back from the dead.
จู่ๆ คนแปลกหน้าก็เริ่มโจมตีแว็งซ็องด้วยเจตนาฆ่า การดำรงอยู่ของเขาในฐานะผู้ชายธรรมดาคนหนึ่งต้องพลิกผัน และเมื่อสิ่งต่างๆ ลุกลามอย่างรุนแรงจนควบคุมไม่ได้ เขาก็ถูกบังคับให้หนีและต้องเปลี่ยนแปลงชีวิตของเขาอย่างสิ้นเชิง…
A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.
After being bitten by a lethal snake, a young woman experiences changes in her senses and appearance, as she sheds her old self and slowly turns into a deadly weapon.
Shortly after moving into a dark, brooding mansion, a psychologist and his co-workers are terrorized by a horrible evil being.
Living in rural Texas is a dysfunctional family: an abusive dad, a Vietnam vet with a war wound that's left him impotent; a compliant wife and a son of about 20, two small sons who look a lot like their brother. The dad harbors a secret, and he goes to murderous lengths to keep it hidden. The young man, Jimmy, who has suspicions, but little comes out until a Yankee woman comes to town.
Charlotte Gainsbourg agrees to play a witch condemned to be burned at the stake in the first film directed by Béatrice Dalle. But the chaotic production, technical problems, and psychotic breakdowns gradually plunge the shoot into a chaos of pure light.
An African American male is imprisoned and placed in solitary confinement after being found guilty of murdering his wife, as he's haunted by internal demons and his dead wife, and pushed to the breaking point by an abusive female guard.
หลังรู้สึกเหมือนชีวิตและการงานมาถึงทางตัน เจนน์หันหน้าไปพึ่งนักสะกดจิตปริศนา แต่เมื่อรู้ตัวอีกที เธอกลับต้องติดอยู่ในสงครามประสาทสุดอันตราย
When troubled teen Milo, who has a fascination with vampire lore, meets the equally alienated Sophie, the two form a bond that begins to blur Milo's fantasy into reality.