¿Por qué mintió la cigüeña?

Married man hires a surrogate to pose as the father of the four children he has had with his mistress.

Sue Ellen Crandell is a teenager eagerly awaiting her mother's summer-long absence. While the babysitter looks after her rambunctious younger siblings, Sue Ellen can party and have fun. But then the babysitter abruptly dies, leaving the Crandells short on cash. Sue Ellen finds a sweet job in fashion by lying about her age and experience on her résumé. But, while her siblings run wild, she discovers the downside of adulthood

หลังจากตั้งครรภ์จากการมีความสัมพันธ์เพียงคืนเดียว หญิงโสดคนหนึ่งต้องพึ่งพาเพื่อนสนิทที่แต่งงานแล้วและเป็นแม่ของลูกสองคนเพื่อคอยชี้นำเธอตลอดการตั้งครรภ์และหลังจากนั้น

Three brothers-in-law try to get their daughters to dump their undesirable boyfriends.

Lola and Cuau, a progressive middle-class pair, and Iñigo and Majo, a young conservative, well-heeled duo, turn to artificial insemination as a last resort to have children. In a madcap twist based on actual events, a mix-up at the clinic results in each mom-to-be carrying the other one's baby.

Vivi is a young writer who is forced to find a roommate to pay the mortgage on her apartment. What she does not suspect is that Roy, the supposed perfect partner she found, has a peculiar lifestyle: he never pays rent.

To help his divorced neighbor claim a substantial inheritance, a family man poses as her husband. The ruse spills over into his career in advertising, and his recent promotion relies on his wholesome and moral appearance.

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

Florencia and Vicente are getting divorced. When both are promoted at their jobs, they will do anything in order to do not keep custody of their children.

A 36-year-old meek woman realizes that there’s younger people trying to outpace her doing much less, so she makes a risky change by removing her filter.