Un beau matin
With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.
With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.
เลอา แซดู
Sandra Kienzler
Pascal Greggory
Georg Kienzler
Melvil Poupaud
Clément
Nicole Garcia
Françoise
Camille Leban Martins
Linn
Sarah Le Picard
Elodie Kienzler
Pierre Meunier
Michel
Fejria Deliba
Leila
Jacqueline Hansen-Løve
Jacqueline Kienzler
With a father suffering from neurodegenerative disease, a young woman lives with her eight-year-old daughter. While struggling to secure a decent nursing home, she runs into an unavailable friend with whom she embarks on an affair.
"Sandra" (Léa Seydoux) is at a crossroads in her life. Her ageing, academic, father (the scene-dominating Pascal Greggory) has been diagnosed with a neuro-degenerative disease that is pretty much robbing him of his quality of life. He is an acclaimed philosopher who finds his increasing lack of ability to think and to remember exasperating. Meantime, she also reconnects with her old friend "Clément" (Melvil Poupaud). He delights in being called a cosmo-chemist (he studies meteoric dust using a rather impressive mass spectrometer). It's clear from the outset that these two have the hots for each other and, despite the fact that he is married with a young son, they embark of quite a lively affair. She is juggling her affection for him while struggling to find an adequate facility for her father; he is having a crisis of conscience as he falls more deeply in love but has his own family to consider. That's about the height of it. Even with the underlying - and rather depressing - analysis of the care provision for her elderly and increasingly failing father adding some gravitas to the film, the story itself is all a rather lacklustre drama centred around two people who are actually quite selfish. They both have responsibilities and as you'd expect, as their relationship develops, these become predictable millstones that we can anticipate all too readily. It has aspects of a soap to it, and though both leads are easy on the eye, I don't think either really have enough here to allow their characters to develop nor to really engage with an audience that has seen this sort of narrative unfold many, many, times before. It looks good - the filming and performances from the younger children are very natural, but at the end I was wondering what was different here. It will work fine on the television, but I doubt I will remember much about it in a fortnight.
Felicie and Charles have a whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in a cold Paris with a daughter as a reminder of that long-ago summer. For male companionship she oscillates between hairdresser Maxence and the intellectual Loic, but seems unable to commit to either as the memory of Charles and what might have been hangs over everything.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.
A car accident and shifting affections test the bond between a married couple.
8-year-old Elli and her mother, Marlène, live in a small town by the French Riviera where they act out to relieve boredom and hide from social services. When Marlène caves in to yet another night of excess, she chooses to leave Elli behind for a man she just met. The young child must confront her mother's demons in order to get her back.
True tale of the tumultuous love affair between two French literary icons of the 19th Century, novelist George Sand and poet Alfred de Musset. But their affair falls apart during an excursion to Venice, Italy where Musset is distracted by drugs and Sand by a handsome doctor.
In the early 20th-century, Frenchman Claude meets Englishwoman Ann in Paris. Ann invites him to her family home, intending him for her sister Muriel. Claude falls for Muriel, but families demand year-long separation before approving marriage.
ซูซาน (เดมี่ มัวร์) และ มาร์ค (ดีแลน แม็คเดอมอตต์) เป็นคู่สามีภรรยาที่เหมือนจะน่าอิจฉาในสายตาใคร ๆ ทั้งที่ความจริงแล้วชีวิตรักของทั้งคู่ไม่ได้สวยหรูขนาดนั้น ก่อนที่วันหนึ่งมาร์คจะถูกจับกุมด้วยความผิดหลายข้อหาและต้องเข้าคุก ซูซาน เองแม้จะไม่มีส่วนรู้เห็นด้วยแต่ก็โดนลูกหลงถูกจับด้วย อย่างไรก็ตามศาลยังเมตตา ตัดสินให้เธอแค่ต้องทำงานรับใช้สังคมด้วยการช่วยเหลือ บิล โอคแลนด์ (อเล็ค บอลด์วิน) อดีตนักเขียนซึ่งประสบอุบัติเหตุจนตาบอด ด้วยการอ่านหนังสือให้เขาฟัง จากความสัมพันธ์ที่ดูเหมือนไม่มีอะไรเกินเลย แต่เมื่อใกล้ชิดกันบ่อยเข้า ซูซานและบิลก็เริ่มมีใจให้กันมากขึ้น ทุกอย่างผ่านไปด้วยดีจนกระทั่งมาร์ครู้เรื่องเข้า
Captives of the very relationships that define and sustain them, nine women resiliently meet the travails and disappointments of life.
ระหว่างไปเยี่ยมลูกสาวที่ติดคุกอยู่ในฝรั่งเศส พนักงานแท่นขุดเจาะน้ำมันสุดห้าวจากโอคลาโฮมาก็พยายามตามหาเบาะแสที่อาจช่วยล้างมลทินให้ลูกสาว
แดริน [เจเดน สมิธ] นักวิ่งระดับมัธยมปลายที่ใฝ่ฝันอยากเป็นแรปเปอร์ ค้นพบว่าอิซาเบลลา [คารา เดอเลอวีน] แฟนสาวของเขาป่วยและจะมีชีวิตอยู่ได้อีกเพียงหนึ่งปี เขาจึงวางแผนที่จะมอบช่วงเวลาหนึ่งปีอันทรงคุณค่าให้เธอ และสิ่งที่เขาได้รับกลับคืนมานั้นก็จะตราตรึงไปชั่วชีวิต