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私の話 部落の話

"Buraku" or "Buraku-min" are the terms used for ethnic Japanese people who are believed to descend from the pre-Meiji castes. Today, neither "Buraku" nor "Burakumin" exist anymore in terms of laws and social systems. However, many Japanese people still have a deep-rooted sense of discrimination towards people who descend from those families. Why does something that should not exist continue to exist? How did this discrimination begin in the first place? This film takes a variety of approaches to unravel the history of accumulated discrimination and its intricately intertwined context, from its origins and evolution, vividly depicting the structure of discrimination that often remains hidden from the public eye.

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"Buraku" or "Buraku-min" are the terms used for ethnic Japanese people who are believed to descend from the pre-Meiji castes. Today, neither "Buraku" nor "Burakumin" exist anymore in terms of laws and social systems. However, many Japanese people still have a deep-rooted sense of discrimination towards people who descend from those families. Why does something that should not exist continue to exist? How did this discrimination begin in the first place? This film takes a variety of approaches to unravel the history of accumulated discrimination and its intricately intertwined context, from its origins and evolution, vividly depicting the structure of discrimination that often remains hidden from the public eye.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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