投稿 怨霊映像 Vol.85 核篇

What starts as a poignant medical documentary about Deborah Logan's descent into Alzheimer's disease and her daughter's struggles as caregiver degenerates into a maddening portrayal of dementia at its most frightening, as hair-raising events begin to plague the family and crew and an unspeakable malevolence threatens to tear the very fabric of sanity from them all.

An orphaned girl is rescued from a satanic ritual and taken to Saint Catherine Institute for homeless youth. There she will learn new skills while facing demons that stalk her.

Two women—Diana, a flamboyant and ruthless thief, and Evie, a seemingly innocent young woman with a troubled past—become embroiled in a series of horrific murders on the island of Malta.

Grindhouse combines Robert Rodriguez's Planet Terror, a horror comedy about a group of survivors who battle zombie-like creatures, and Quentin Tarantino's Death Proof, an action thriller about a murderous stuntman who kills young women with modified vehicles. It is presented as a double feature with fictitious exploitation trailers preceding each segment.

In 1979, a young girl stumbles upon a possessed tape player. She unknowingly unleashes a demonic entity that haunts her family while slowly dragging the small town of Clarkston to Hell.

After fleeing his psychotic father, a young teen and his mom seek refuge in a remote farmhouse, only to face a pack of ferocious dogs and the sinister spirits that haunt the property.

A woman wakes up injured in a basement surrounded by corpses. To survive, she pretends to be dead while a grotesque ritual unfolds in the house above.

Shortly after moving into a dark, brooding mansion, a psychologist and his co-workers are terrorized by a horrible evil being.

การเดินทางสู่ดินแดนที่ยังไม่มีใครสำรวจและต้องห้ามผ่านเรื่องราวสามเรื่องที่พันเกี่ยวกันทั้งด้านอวกาศและกาลเวลา

A group of young friends spending time at a remote cabin are pursued by a demonic force after a burial site is disturbed. Made on a small budget and starring Bruce Campbell and Ellen Sandweiss, the film was produced as a proof of concept to attract investors. Its ideas and sequences later formed the basis for Sam Raimi’s "The Evil Dead" (1981).