Biomorphic shapes at play in this film reiterate and expose the persistence of vision, frame flickering and illusions. The random cycling images question who is the projector and who is the projectionist, while light forms the sound frequencies.
Biomorphic shapes at play in this film reiterate and expose the persistence of vision, frame flickering and illusions. The random cycling images question who is the projector and who is the projectionist, while light forms the sound frequencies.
A nameless drifter navigates a barren landscape punctuated by satellite dishes, radio towers and droning airplanes. Stopping periodically in anonymous hotel rooms, she makes attempts to connect to an unidentified second party.
Since the invention of cinema, the standard format for recording moving images has been film. Over the past two decades, a new form of digital filmmaking has emerged, creating a groundbreaking evolution in the medium. Keanu Reeves explores the development of cinema and the impact of digital filmmaking via in-depth interviews with Hollywood masters, such as James Cameron, David Fincher, David Lynch, Christopher Nolan, Martin Scorsese, George Lucas, Steven Soderbergh, and many more.
In Manhattan's Central Park, a film crew directed by William Greaves is shooting a screen test with various pairs of actors. It's a confrontation between a couple: he demands to know what's wrong, she challenges his sexual orientation. Cameras shoot the exchange, and another camera records Greaves and his crew. Sometimes we watch the crew discussing this scene, its language, and the process of making a movie. Is there such a thing as natural language? Are all things related to sex? The camera records distractions - a woman rides horseback past them; a garrulous homeless vet who sleeps in the park chats them up. What's the nature of making a movie?
The film goes behind the scenes of the 1999 sci-fi movie The Matrix.
William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.
A comedy that pays tribute to the science fiction genre -- specifically, the sub-genre of time travel. But here the alternate reality is contemporary New York City where past and future experiences of trust, commitment and denial are cleverly put to the test. Just as Ruby is beginning to relish her first-ever healthy relationship, Sam begins muttering about being a time traveler from the year 2470.
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
When Margo, Edith, and Agnes chase after an ice cream truck, little Agnes struggles to keep up and takes a tumble while pedaling her bike. Seeing her disappointment, the Minions spring into action to lift her spirits. Using their quirky ingenuity, they construct a unicorn-themed motorcycle to help Agnes ride in style. With her new wheels, Agnes embarks on a whimsical and heartwarming ride through town, showcasing the Minions’ unwavering dedication to bringing joy to the girls’ lives. This short captures the charm of teamwork, creativity, and pure delight.
A celebration of the universe, displaying the whole of time, from its start to its final collapse. This film examines all that occurred to prepare the world that stands before us now: science and spirit, birth and death, the grand cosmos and the minute life systems of our planet.
อะคีมกับเซมมิกลับมาแล้ว ณ ประเทศซามุนดา ราชสำนักอันฟู่ฟ่าหรูหรา กษัตริย์อะคีมที่เพิ่งขึ้นครองราชย์ (เอ็ดดี้ เมอร์ฟีย์) และเซมมิ ที่ปรึกษาที่พระองค์ไว้ใจ (อาร์เซอนิโอ ฮอล) ได้ออกเดินทางผจญภัยข้ามโลกสุดฮาครั้งใหม่จากประเทศยิ่งใหญ่ในแอฟริกาไปยังย่านในควีนส์ นิวยอร์ก ที่ซึ่งเป็นจุดเริ่มต้นของเรื่องราวทั้งหมด