Chris is a dancer dying of AIDS. He has chosen euthanasia to end his suffering. With the assistance of his lover Val and his doctor, he surrounds himself in his last hours with everything that made his life special and creates his ultimate work of art by choreographing his own death.
Daniel MacIvor
Dr. Parthens
Ken McDougall
Chris
J.D. Nicholsen
Val
Chris is a dancer dying of AIDS. He has chosen euthanasia to end his suffering. With the assistance of his lover Val and his doctor, he surrounds himself in his last hours with everything that made his life special and creates his ultimate work of art by choreographing his own death.
A teenager pretends to be dying from cancer as a way to cope with the realities of his daily existence and his father's terminal illness.
Estranged from his family, Jonathan (Hedlund) discovers his father has decided to take himself off life support in forty-eight hours’ time. During this intensely condensed period, a lifetime of drama plays out. Robert (Jenkins) fights a zero sum game to reclaim all that his illness stole from his family. A debate rages on patients’ rights and what it truly means to be free. Jonathan reconciles with his father, reconnects with his mother (Archer), sister (Brown-Findlay), and his love (Adams) and reclaims his voice through two unlikely catalysts – a young, wise-beyond-her-years patient (Barden) and a no-nonsense nurse (Hudson). Through this intensely life affirming prism, an unexpected and powerful journey of love, laughter, and forgiveness unfolds.
A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Gentle and broken, a homeless man fights others on video for money but soon finds comfort in an unlikely friend and the lost diary of a young girl.
An optimistic, talented teen clings to a huge secret: she's homeless and living on a school bus. When tragedy strikes, can she learn to accept a helping hand?
นักดนตรีหนุ่ม แซค โซเบียค ค้นพบว่ามะเร็งของเขาลุกลาม ทำให้เขาเหลือเวลาอีกเพียงไม่กี่เดือนที่จะมีชีวิตอยู่ได้ ด้วยเวลาอันจำกัด เขาจึงทำตามความฝันของตัวเองและออกอัลบั้ม โดยไม่รู้ว่าในไม่ช้านี้มันจะกลายเป็นปรากฏการณ์ทางดนตรีที่แพร่ระบาดไปทั่ว
ในเอเลนอร์ผู้ยิ่งใหญ่ จูน สควิบบ์ ถ่ายทอดบทบาทของเอเลนอร์ มอร์เกนสตีน หญิงวัย 94 ปี ผู้มีไหวพริบและภูมิใจในความแสบของตัวเองออกมาได้อย่างมีชีวิตชีวา หลังเผชิญกับความสูญเสียใหญ่หลวง เธอได้เล่าเรื่องที่เกิดบานปลายจนเป็นอันตราย นี่คือผลงานกำกับเรื่องแรกของสการ์เล็ตต์ โจแฮนส์สัน เป็นการสำรวจที่ทั้งขบขันและสะเทือนใจ ว่าเรื่องราวที่เราได้ฟังกลายมาเป็นเรื่องราวที่เราเล่าต่อได้อย่างไร เพิ่มเติม พ.ศ. 2568 · 1h 38m 66%
The relationship of a couple who meet by chance in New York City is put to the test when they encounter a life or death circumstance.
When seventeen-year-old Hannah stumbles upon a website about Thinspiration--an online community devoted to anorexia as a life choice--she becomes an obsessive follower of the site founder, ButterflyAna. By the time Hannah's family realizes what is happening and get Hannah the help she needs, the disease has fully taken hold and Hannah is refusing to eat. Will this family be able to exorcise the demon of anorexia from their lives?