The Angry Silence
"Rough, Tough, Deeply Moving"
When the union in his factory walks out on strike, a family man refuses to participate, risking the wrath — and retaliation — of his fellow workers.
"Rough, Tough, Deeply Moving"
When the union in his factory walks out on strike, a family man refuses to participate, risking the wrath — and retaliation — of his fellow workers.
Richard Attenborough
Tom Curtis
Pier Angeli
Anna Curtis
Michael Craig
Joe Wallace
Bernard Lee
Bert Connolly
Alfred Burke
Travers
Geoffrey Keen
Davis
Laurence Naismith
Martindale
Russell Napier
Thompson
Penelope Horner
Pat
When the union in his factory walks out on strike, a family man refuses to participate, risking the wrath — and retaliation — of his fellow workers.
Though Richard Attenborough takes top billing in this drama, I think Bernard Lee actually delivers the more potent performance as the shop steward "Bert". He calls for an unofficial strike of the workers at an engineering plant. Out they go, well most of them do - and it is soon clear to the audience that there is an agitator amongst the workforce intent on using this dispute for a greater purpose. We also encounter a few local hoodlums who have few scruples when it comes to persecuting - violently at times - those few workers who cross their picket line and continue to work. "Curtis" (Attenborough) is one such man. He already has a young son, and his wife is expecting his second child - so money is too tight for him not to get a wage. Pretty soon he is the victim of a vendetta from his erstwhile colleagues as they ostracise him completely. Director Bryan Forbes and co-star Michael Craig ("Wallace") had a hand in the writing and that is powerful. It generates a genuine sense of menace as those daring to break the strike find their property and their physical safety compromised whilst their erstwhile friends struggle with their consciences. Brian Bedford also stands out as the thuggish "Barrett" and there is also a potent, if sparing, contribution from Pier Angeli as the young man's wife "Anna". Ordinarily, one might expect this story to be about the abuse of power by an employer; here, though, the abuses are clearly coming from those with a broader agenda quite capable of mobilising a workforce of political sheep. The ending is rather rushed - almost incomplete, unfortunately but the ensemble and the toic work really well here to create a thought-provoking piece of cinema that packs a lot into ninety minutes.
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ในเอเลนอร์ผู้ยิ่งใหญ่ จูน สควิบบ์ ถ่ายทอดบทบาทของเอเลนอร์ มอร์เกนสตีน หญิงวัย 94 ปี ผู้มีไหวพริบและภูมิใจในความแสบของตัวเองออกมาได้อย่างมีชีวิตชีวา หลังเผชิญกับความสูญเสียใหญ่หลวง เธอได้เล่าเรื่องที่เกิดบานปลายจนเป็นอันตราย นี่คือผลงานกำกับเรื่องแรกของสการ์เล็ตต์ โจแฮนส์สัน เป็นการสำรวจที่ทั้งขบขันและสะเทือนใจ ว่าเรื่องราวที่เราได้ฟังกลายมาเป็นเรื่องราวที่เราเล่าต่อได้อย่างไร เพิ่มเติม พ.ศ. 2568 · 1h 38m 66%
นักยิมนาสติกที่ต้องการจะไปให้ถึงจุดสูงสุด แต่เธอกลับขาดความเชื่อมั่นในตัวเอง ด้วยความช่วยเหลือจากโค้ชคนใหม่ เธออาจมีโอกาสชนะการแข่งเพื่อเข้าร่วมทีมชาติ
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ขณะเยียวยาบาดแผลที่ฝังลึกในจิตใจหลังประสบอุบัติเหตุ คุณแม่คนหนึ่งก็ได้รับแรงบันดาลใจจากเจ้านกกางเขนบาดเจ็บที่ครอบครัวของเธอรับมาดูแล ในผลงานที่สร้างจากเรื่องจริงนี้
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