This is Shuji Terayama memorial performance of The Hunchback of Aomori from 1983 (featuring Akihiro Miwa). Terayama gathered dwarfs, circus freaks, itinerant magicians, acrobats and untrained youth for his burgeoning troupe, Tenjo Sajiki. The troupe's premiere offering, written and directed by Terayama, was Aomori-ken no Semushi Otoko (The Hunchback of Aomori, 1967).
美輪明宏
Yoko Ran
若松武史
This is Shuji Terayama memorial performance of The Hunchback of Aomori from 1983 (featuring Akihiro Miwa). Terayama gathered dwarfs, circus freaks, itinerant magicians, acrobats and untrained youth for his burgeoning troupe, Tenjo Sajiki. The troupe's premiere offering, written and directed by Terayama, was Aomori-ken no Semushi Otoko (The Hunchback of Aomori, 1967).
Ten Minutes Older is a 2002 film project consisting of two compilation feature films entitled The Trumpet and The Cello. The project was conceived by the producer Nicolas McClintock as a reflection on the theme of time at the turn of the Millennium. Fifteen celebrated film-makers were invited to create their own vision of what time means in ten minutes of film.
One night Jefferson Reed gets hit in the chest by a souped-up chunk of meteor. So he can fly, but he's scared of heights. He can master the information in any book ... for about thirty seconds. Now his friends and family want him to protect their community from the dreaded Golden Lords.
เพียงสามวันก่อนถึงงานเทศกาลดนตรีระดับมัธยมปลาย เคอิ มือกีตาร์ เคียวโกะ มือกลอง และโนโซมิ มือเบส ถูกบังคับให้หานักร้องนำคนใหม่มาแทนวง พวกเขาเลือกซน นักเรียนแลกเปลี่ยนชาวเกาหลี แม้ว่าเธอจะเข้าใจภาษาญี่ปุ่นไม่มากนักก็ตาม! เป็นการแข่งกับเวลา เพราะวงต้องดิ้นรนเรียนรู้เพลงสามเพลงสำหรับคอนเสิร์ตร็อกของงานเทศกาล ซึ่งรวมถึงเพลงพังก์-ป็อปคลาสสิกจากยุค 80 ของวง The Blue Hearts จากญี่ปุ่นที่มีชื่อว่า "ลินดา ลินดา"
Two detectives are tasked to investigate the murder of an old man, found bludgeoned to death in a Tokyo rail yard.
After years on the road establishing his reputation as Japan's greatest fencer, Takezo returns to Kyoto. Otsu waits for him, yet he has come not for her but to challenge the leader of the region's finest school of fencing. To prove his valor and skill, he walks deliberately into ambushes set up by the school's followers.
Shiba, a wandering ronin, encounters a band of peasants who have kidnapped the daughter of their dictatorial magistrate, in hopes of coercing from him a reduction in taxes. Shiba takes up their fight, joined by two renegades from the magistrate's guard, Sakura and Kikyo. The three outlaws find themselves in a battle to the death.
Although μ's, the defending champions of the school idol tournament, plans to dissolve their group after the graduation of their senior members, they receive news that leads them to holding a concert event! The 9 girls continue to learn and grow in this new and unfamiliar world. What is the last thing that these girls can do as school idols? With the clock ticking, what kind of meaning will the μ's members find in performing the most exciting live performance?
Before he hit it big, Takeshi Kitano got his start apprenticing with comedy legend Fukami of Asakusa. But as his star rises, his mentor's declines.
Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.
A spell of time in the life of the five-piece Haruno family in rural Tochigi Prefecture. Yoshiko is not an ordinary housewife, instead working on an animated film project. Uncle Ayano, a successful music producer, is looking to get his head together after living in Tokyo. Meanwhile, Sachiko is concerned with why she seems to be followed by a giant version of herself. As the lazy days pass by, each member of the family is followed in a series of episodic vignettes.