Sommaren med Monika

Name: Sommaren med Monika
Director: อิงมาร์ เบิร์กแมน
Genre: หนังชีวิต, หนังรักโรแมนติก
Released: 1953-02-09
Duration: 1 h 38 min
Rating: 7.34
Cast: Harriet Andersson, Lars Ekborg, Dagmar Ebbesen, Åke Fridell, Naemi Briese

"A Picture for Wide Screens and Broad Minds."

One summer day, two teens begin a reckless affair and abandon their families to be with one another.

รับชมตอนนี้ ดูตัวอย่าง

นักแสดงนำ

Harriet Andersson

Monika Eriksson
Lars Ekborg

Harry Lund
Dagmar Ebbesen

Mrs. Lindström
Åke Fridell

Ludwig Eriksson
Naemi Briese

Monika's Mother
Åke Grönberg

Harry's Friend at Work
Sigge Fürst

Johan
John Harryson

Lelle
Georg Skarstedt

Harry's Father

เรื่องย่อ

One summer day, two teens begin a reckless affair and abandon their families to be with one another.

คะแนน

7.3 / 10

396 รีวิว

1 ยอดนิยม

1 รีวิว

CRCulver
6 5 มิ.ย. 2561

In Ingmar Bergman's 1953 film SOMMAREN MED MONIKA (The Summer with Monika), young, idealistic Harry (Lars Ekborg) meets the freespirited Monika (Harriet Andersson). Fed up with their dull stockroom jobs as midsummer approaches, they quit and and escape together to one of the myriad islands in the Stockholm archipelago. But while Harry is keen to get back to civilization and further his education in order to support the child they will soon have, Harriet thinks little of the future, pursuing her own whims of the moment. Harry is definitely the protagonist here, and receives the sympathy of the viewer as this bad girl tears his life apart. Upon its release, this film was a major contribution to Sweden's mid-century reputation as a sexually liberated place. However, that's all very much in the past. There is only one scene of (rear) nudity, and for the most part what 1950s audiences found scandalous is just some snogging that wouldn't raise eyebrows today. Still, Andersson does know how to flaunt her sex appeal, her full lips and proportioned figure, to the camera. In my opinion, this is not one of the greatest films of the auteur scene. Ingmar Bergman would go on to create a series of masterpieces that totally shook my world, but SOMMAREN MED MONIKA is a somewhat ordinary study of working class life and a morality tale much like British audiences would start getting with their kitchen sink dramas (e.g. BILLY LIAR) in the following years. There is also a totally contrived -- and rather inexplicable -- fight scene that Bergman needlessly uses to make Harry look chivalrous. Still, it is interesting to see a Sweden of severe class divisions that is now almost gone, with alcoholism-stricken families in dire poverty living alongside more fortunate Stockholm residents who keep servants. The first third of the film is almost like listening to an Allan Pettersson symphony. All in all, the film is entertaining and teaches us something about an earlier time and place, but don't think this is one of the more serious films that established Ingmar Bergman as one of the most daring and insightful filmmakers of the 20th century.