The Scapegoat
"He took another man's name... lived another man's life... loved another man's woman!"
An Englishman in France unwittingly is placed into the identity, and steps into the vacated life, of a look-alike French nobleman.
"He took another man's name... lived another man's life... loved another man's woman!"
An Englishman in France unwittingly is placed into the identity, and steps into the vacated life, of a look-alike French nobleman.
อเล็ก กินเนสส์
John Barratt / Jacques De Gue
Bette Davis
Countess
Nicole Maurey
Bela
Irene Worth
Francoise
Pamela Brown
Blanche
Annabel Bartlett
Marie-Noel
Geoffrey Keen
Gaston
Noel Howlett
Dr. Aloin
Peter Bull
Aristide
An Englishman in France unwittingly is placed into the identity, and steps into the vacated life, of a look-alike French nobleman.
Alec Guinness walks into a bar where he encounters his doppelgänger. They might be twins. His "Barratt" character is a teacher of French at an British university, his mirror image an impoverished local aristocrat. The two drink together, then end up sharing the latter man's hotel room. In the morning, "Barratt" wakes up and there is no sign of his roommate. Next thing, a chauffeur arrives and, assuming he is the aristocratic version of himself, takes him to their chateau where he meets the (his) family. Clearly he is being manipulated, but why and by whom? It does not take him long to realise that this family is pretty dysfunctional - lead by the morphine-addicted "Countess" (Bette Davis in her best Elizabeth I form), with his wife , his mistress and his daughter all adding to this familial maelstrom. Guinness is quite good here, but somehow the premiss didn't quite gel for me. He accepts the fake life and it's people all too readily. There are no protestations or police visits; his narrative (spoken throughout) does not reconcile easily with his actions and the ending, though I did quite like it, was all just a bit too rushed and convenient. The photography with them both on screen at the same time is flawless, and Bronislau Kaper's score fits well with the story too, but it's all just a little lacklustre.
Actor Lester Blaine has all but landed the lead in Myra Hudson's new play when Myra vetoes him because, to her, he doesn't look like a romantic leading man. On a train from New York to San Francisco, Blaine sets out to prove Myra wrong...by romancing her. Is he sincere, or does he have a dark ulterior motive?
ลินา แมคเลดลอว์ผู้มั่งมีและมีครอบครัวที่อบอุ่น ถูกจอห์นนี่ ไอส์การ์ธ ชายหนุ่มเจ้าเสน่ห์ที่ไม่ค่อยทำอะไรตามใจตัวเองเข้าครอบงำ แม้ว่าจะได้รับคำเตือนว่าจอห์นนี่เป็นเพียงนักล่าสมบัติ แต่ลินาก็ยังคงแต่งงานกับเขาและยังคงจงรักภักดีต่อสามีที่ไม่มีความรับผิดชอบของเธอในขณะที่เขาพยายามดิ้นรนจากแผนการธุรกิจที่เสื่อมเสียชื่อเสียงหนึ่งไปสู่อีกแผนการหนึ่ง ลินาค่อยๆ สรุปได้ว่าจอห์นนี่ตั้งใจจะฆ่าเธอเพื่อเก็บมรดกของเธอ
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