Puppetmaster
"Evil comes in all sizes."
After being contacted by their mysterious former colleague, four psychics arrive at a secluded hotel where they are stalked by a group of murderous puppets.
"Evil comes in all sizes."
After being contacted by their mysterious former colleague, four psychics arrive at a secluded hotel where they are stalked by a group of murderous puppets.
Paul Le Mat
Alex Whitaker
William Hickey
Andre Toulon
Irene Miracle
Dana Hadley
Jimmie F. Skaggs
Neil Gallagher
Robin Frates
Megan Gallagher
Matt Roe
Frank Forrester
Kathryn O'Reilly
Carlissa Stamford
Mews Small
Theresa
Barbara Crampton
Woman at Carnival
After being contacted by their mysterious former colleague, four psychics arrive at a secluded hotel where they are stalked by a group of murderous puppets.
Inert first act, but decent start to the ongoing puppet-slasher series RELEASED TO VIDEO IN 1989 and directed by David Schmoeller, "Puppet Master" (or “Puppetmaster”) takes place at a striking old hotel on the California coast where four psychics gather to meet a former colleague and his wife, the heir of the grand inn. However, their colleague has committed suicide and puppets animated by Egyptian sorcery are intent on killing them off one-by-one. This was the first of a franchise that includes a dozen sequels (as of this writing), which is one more than the Friday the 13th franchise. While decidedly Grade B in quality, I liked the grand ol’ hotel setting, the cast, and the Ten Little Indians-like plot. Unfortunately, the first half hour feels lethargic and dull. From there, the film’s decent enough with quality puppet effects. Irene Miracle is stunning as a psychic biyatch and Kathryn O'Reilly & Robin Frates ain’t no slouches on the feminine front, but the filmmakers fumble the ball as far as taking advantage of these resources. Paul Le Mat is genial as the main male protagonist with frightful hair while Jimmie F. Skaggs is formidable as the colleague gone mad. THE MOVIE RUNS 1 hour, 30 minutes and was shot in California (Riverside, Pasadena, etc.). WRITERS: Charles Band, Kenneth J. Hall, Schmoeller and J.S. Cardone. GRADE: C+
_Puppet Master_ is the first of the Puppet Master series of movies. It's not the best, so if this is the first Puppet Master movie you see I'd continue on with the series as the sequels are actually much better than the original. In this movie, we are introduced to the Puppet Master himself, Toulon. We don't learn much about Toulon in this movie other than he created some living puppets and killed himself rather than being captured. The bulk of the movie takes place years later when a group of new-age super friends (a psychic, a witch, a magician, etc.) go to a hotel where their other occult friend has recently died. It turns out he was after the secrets of Toulon and _something happened_. Puppet carnage ensues. The Puppet Master movies get much better after this. The latest as of this writing is "Puppet Master: The Littlest Reich," which is done by a different studio and stars Thomas Lennon. All of the original Puppet Master movies are on a video streaming service by Full Moon Features, which produced them.
**A horrible film saved by five puppets and good stop-motion animation.** I saw this film recently, following the advice of a friend, and I didn't have very high expectations: she herself had told me that it was a bad film, and I decided to confirm how bad it was. It brings us a story about living puppets that kill people... something we get tired of seeing in better movies. The problem with the film is not the puppets. This worked very well in other films, it's a relatively recurrent type of premise in horror and I even liked its technical execution, quite good thanks to good "stop-motion" animators: the main problem is a stupid script, which seems to be making fun of with the public's intelligence: it all starts with the arrival of a group of five mediums at a decadent hotel. They were called by a man they already knew, who had married the young owner of the hotel and died in the meantime. It turns out that those mediums didn't like that man at all, and one of them has the bright idea of spending that night speaking ill of the deceased in front of the widow. Speaking ill of someone at the wake itself and in front of the mourners is perhaps the rudest thing that can be done in a situation like this. The stupidity, of course, does not stop here: two of the alleged mediums are like two rabbits in heat and are only concerned with studying their own sexual performance, worthy, incidentally, of the best artists in adult cinema. The common concern of all of them is the possibility that that man, before dying, found the secret of an old toy master who committed suicide in the hotel decades before. Of course, the answer becomes obvious to us when we see all the dolls walking around the hotel in front of everyone's unsuspecting noses. And if screaming or asking for help would be the most reasonable and intelligent thing to do when a wooden doll, alive, decides to try to cut us into slices, then the characters in this film lose all sanity, because they are peacefully awaiting death. Sound stupid enough? The cast is poor, based on actors from B movies and television. None of them deserves a special mention, they are all miserable and hams. Irene Miracle and William Hickey appear in the film, but for so little time that I don't even consider them part of the cast, but mere cameos. Those who really deserve praise here are the dolls. The stop-motion animation used was the best at the time, and it works really well here. The environment, the hotel's setting, was also reasonably recreated, and the film becomes more fun when the puppets appear and start walking around.
A new team of paranormal researchers has come to the hotel to investigate its murder-soaked past; the puppets -- led by a new member, Torch -- shed some light on the matter, as they tunnel, burn, strangle and hook to survive.
After hearing that mystical toymaker Andre Toulon has managed to create a troupe of sentient, living puppets, Nazi underling Dr. Hess sets his sights on exploiting Toulon's powers for the glory of the Reich.
หญิงสาวคนหนึ่งพยายามค้นหาความจริงที่อยู่เบื้องหลังการตายของฝาแฝดของเธอ ด้วยความช่วยเหลือของหุ่นไม้ต้องสาป
เป็นเรื่องราวของครอบครัว Graham ที่หลังจากสูญเสียปูชนียบุคคลในครอบครัวไป ลูกหลานในครอบครัวนี้ก็เริ่มจะเจอสิ่งลึกลับและน่ากลัวมากขึ้นเรื่อยๆ และก็เริ่มที่จะรู้เรื่องราวอันน่าสะพรึงกลัวเกี่ยวกับต้นตระกูลบรรพบุรุษของพวกเขา “ยิ่งพวกเขาเรียนรู้มากเท่าไหร่ พวกเขาก็ยิ่งพยายามที่จะเอาชนะชะตากรรมที่พวกเขาได้รับมากเท่านั้น” โดยในตัวอย่างมีการใช้เสียงประกอบหลักเป็นไวโอลิน ทำให้เรารู้สึกเหมือนโดนเสียดแทงเจ็บปวดอยู่ตลอดเวลา รวมถึงการตัดต่อภาพที่มีความเป็นเอกลักษณ์ในการเชื่อมโยงสถานที่จากฉากหนึ่งไปยังอีกฉากหนึ่ง จากกลางวันไปกลางคืน โดยที่วัตถุหนึ่งในภาพยังอยู่ที่เดิม และมุมกล้องที่แปลกใหม่ดูลึกลับน่าค้นหา และน่าสะพรึงกลัวไปพร้อมกัน บวกกับบทบาทของนักแสดงที่มีท่าทีแปลกๆในเรื่องที่ทำให้เรารู้สึกไม่เป็นมิตรกับใครเลย ทุกๆอย่างในตัวอย่างนี้สามารถเขย่าขวัญสั่นประสาทเราได้ง่ายๆทุกทาง โดยที่ไม่จำเป็นต้องมีผีโผล่ออกมาให้เห็นเลย!
A witch put to death in 1692 swears vengeance on her persecutors and returns to the present day to punish their descendants.
After their car breaks down, a group of young travelers find themselves stranded at a roadside museum run by the enigmatic Mr. Slausen and populated by his collection of life-like wax mannequins.
In the late 18th century, two newlyweds move into the stately mansion of the Fengriffen family. The young bride is victim of terrifying visions and apparitions, threatening her very sanity. A London psychiatrist comes to her help and uncovers the terrible secret that haunts the estate.
A family moves into a large old mansion in the countryside which seems to have a mysterious and sinister power over its new residents.
หลังจากโศกนาฏกรรมในครอบครัว ชัค วิลสันหวังที่จะเริ่มต้นชีวิตใหม่ในเมืองแอชแลนด์ฟอลส์กับมาเรียภรรยาของเขาและอิซาเบลน้องสาว แต่เขาค้นพบอย่างรวดเร็วว่าเมืองแห่งนี้มีความลับอันดำมืด
เรื่องราวของคู่รัก ลิซ่า และ ฌอน พร้อมด้วยลูกชาย จู๊ด ได้ย้ายมาอาศัยในคฤหาสน์ ฮีลเชียร์ โดยพวกเขายังไม่รู้ปูมหลังอันน่าขนลุกของที่แห่งนั้น และแล้วความสยองก็บังเกิดเมื่อ จู๊ด ได้พบกับเพื่อนใหม่เป็นตุ๊กตาขนาดเท่าคนจริงนามว่า "บรามส์"