Nel regno di Napoli

The rise and fall of a Neapolitan criminal clan through the story of a boss and his family, divided between the aspiration for a bourgeois life and the deep impulses of oppression. Thirty years of history of one of the most beautiful and discussed cities in the world, the dream of a boy who is overwhelmed by the desire for power as an end in itself, to become the nightmare of a man and those who live next to him.

Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.

ในภาพยนตร์สร้างจากเรื่องจริงเรื่องนี้ หลังสเตฟาโน่ คุกคีถูกจับในโรมด้วยข้อหายาเสพติด เขาต้องทนทุกข์จากการคุมขังในเวลาหนึ่งสัปดาห์ซึ่งจะเปลี่ยนชีวิตครอบครัวของเขาไปตลอดกาล

A gang of teenage boys stalk the streets of Naples armed with hand guns and AK-47s to do their mob bosses' bidding – until they decide to be the bosses themselves.

ในปี 1977 เด็กสาวคนหนึ่งถูกจับตัวไปขังไว้ในกล่องขนาดเท่าโลงศพ เมื่อผู้คุมขังปล่อยเธอออกมา ก็มีเพียงการทำร้ายเธออย่างโหดร้าย เธอจะหนีรอดไปได้หรือไม่

"The Family," an album with a velvet cover, is meant to touch the extended family of man. Formal portraits, bookends in this 80-year saga, enclose the central story, which opens with the baptism of Carlo, a baby in his grandfather's lap, and ends with Carlo as a grandfather with a baby in his arms. And never once do we get out of the house, whose rooms provide the film's structure. Comfort or passion? Carlo couldn't really decide until it was too late.

It explores the tragic events leading up to the murder of 21-year-old Willy Monteiro Duarte, highlighting the intertwining of chance encounters, rivalries, and latent tensions.

Matteo Scuro is a retired Sicilian bureaucrat, a widower with five children, all of whom live on the mainland and hold responsible jobs. He decides to surprise each with a visit and finds none as he imagined.

Gabriele Santoro is a Professor of Pianoforte at the Music Conservatory San Pietro a Majella who lives in a working-class area of the city. One morning, while shaving his beard, the postman buzzes at the intercom to tell him he has a package. Gabriele opens the door and, before greeting him, runs to rinse his face. In that short space of time, a ten-year-old child slips into his apartment and hides away. “The maestro” – as he’s called in his neighbourhood – only notices the stowaway late at night. And when he sees him, he recognises the intruder as Ciro, a child who lives with his parents and siblings on the top floor of his building. When asked why he has fled his home, Ciro refuses to speak. Nevertheless, the maestro instinctively decides to hide him in his home, setting Ciro’s enemies a uniquely difficult challenge.

Story about two brothers and their wives, and the interactions between them and their two high school age children. When the kids get into serious trouble together, how will the parents relationships change with and among each other? Will the parents protect the kids or force them to face the consequences of their actions?