The Member of the Wedding
"She became a woman in the middle of a kiss!"
Tomboy, Frances 'Frankie' Addams, dreams of running away with her brother and new fiancée away from the Deep South.
"She became a woman in the middle of a kiss!"
Tomboy, Frances 'Frankie' Addams, dreams of running away with her brother and new fiancée away from the Deep South.
Ethel Waters
Berenice Sadie Brown
Julie Harris
Frances 'Frankie' Addams
Brandon De Wilde
John Henry
Arthur Franz
Jarvis Addams
Nancy Gates
Janice
William Hansen
Mr. Addams
James Edwards
Honey Camden Brown
Harry Bolden
T.T. Williams
Dickie Moore
Soldier
Tomboy, Frances 'Frankie' Addams, dreams of running away with her brother and new fiancée away from the Deep South.
"Frankie" (Julie Harris) leads a rather unorthodox life for a twelve year old. As epitomised by their refusal to let her join their club, she is shunned by her more traditional neighbours' children aside from the younger "John-Henry" (Brandon De Wilde). She is largely left to her own devices by her loving but busy dad and it usually falls to their maid "Bernice" (Ethel Waters) to run the house. The fragile peace of the household is a bit shattered when her soldier brother "Jarvie" (Arthur Franz) announces his impending marriage. Somehow, "Frankie" gets it into her head that this could be her opportunity to join the couple and escape the drudgery of her life. Of course that's not going to happen - well not if "Jarvie" has anything to do with it. This rejection followed by a tragedy closer to home leaves her with demons to face that will cause her to question her own identity and future. Harris is good as the rogue daughter but it's really Waters who stands out here. She offers many of the traditional characteristics of the surrogate mother figure, but her own role has some nuances to it as it becomes clear that she, too, has issues that she must reconcile - especially as the denouement soon makes it clear that change is looming for her, too. This is quite a poignant film about growing up - regardless of your age, isolation and aspiration and Fred Zinnemann packs quite a bit to think about into this ninety minutes of better than usual family drama. Yes, there is a strong racial element to the story, but this also takes a much broader look at a wider conformity, at womanhood and with strong performances and a strong story makes for a good watch, here.
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ในปี 1957 ลูกชายและแม่หนีจากย่านตะวันออกและแฟนหนุ่มที่ชอบใช้ความรุนแรงเพื่อออกตามหาชีวิตใหม่ และได้ปักหลักอยู่ที่ซีแอตเทิล ที่ที่ผู้เป็นแม่พบช่างซ่อมรถแสนสุภาพ เด็กชายยังคงสร้างปัญหาด้วยการคบหาเพื่อนผิด ๆ ผู้เป็นแม่แต่งงานกับช่างซ่อมรถ แต่ไม่นานทั้งสองก็ได้รู้ว่าเขาเป็นคนติดเหล้าที่ชอบใช้ความรุนแรงและไร้เหตุผล และทั้งสองต้องมีความหวังไว้ในสถานการณ์นี้
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