Respire
Charlie, a 17-year-old girl tortured by doubt, is thrilled when she becomes friends with Sarah, but when Sarah tires of Charlie and looks for a new friend, their relationship takes an ominous turn.
Charlie, a 17-year-old girl tortured by doubt, is thrilled when she becomes friends with Sarah, but when Sarah tires of Charlie and looks for a new friend, their relationship takes an ominous turn.
Joséphine Japy
Charlie
Lou de Laâge
Sarah
Isabelle Carré
Vanessa
Roxane Duran
Victoire
Claire Keim
Laura
Radivoje Bukvić
Charlie's father
Thomas Solivérès
Gastine
Camille Claris
Delphine
Louka Meliava
Lucas
Charlie, a 17-year-old girl tortured by doubt, is thrilled when she becomes friends with Sarah, but when Sarah tires of Charlie and looks for a new friend, their relationship takes an ominous turn.
**Some friendship comes fast to scar on your life.** Very close to being a French version of the 2003 movie 'Thirteen'. About two 17-year-old girls, Charlie, a privacy girl with the asthma and the new arrival, Sarah, a sarky with the mystery background. A fresh friendship bloom unexpectedly between them, they begin to share everything. As fast they become close, the each others secret reveals, with the same speed a series of conflict forces them away with hatreds. Once again a movie based on the novel of the same name. Melanie Laurent's 2nd movie from the director's chair and she outclassed it. Intense drama, from the beginning to the end. The story concentrates only these two girls, their first meet, relationship development and the story's conclusion. Very rarely other characters come into the frame with little to deliver speech and exhibit the act. The first half of the film exactly like the first half of the 'Heavenly Creatures'. Closely showcases the two girl's establishments of an unbreakable bond who do lots of mischievous stuffs together. And the second half was like the second half of 'Thirteen'. The fierce battle like environment like the usual catfight, but fairly avoids the overdose which makes a worthy whole. > With you, I feel bad. I lie, I am hard. > You make me play the bad guy. It's unbearable. What makes a two best friends (girls) hate each other, a boy? That's how the story switched from one way to another, a turning point in the storytelling. But this film was not all about fighting for a boy, there's something else which was the backbone to the narration. Weaknesses becomes a pointed gun to the face to deal with. The circle of to be victimized and be a victim was relatively balanced. The incomprehensible teen emotions take the story with the sequences of blames and absolves. What I don't get is in the most of the movies is at the end why the film character sees the camera. This doubt is because the whole film explains something, but that final frame gives a different dimensional meaning. Maybe the indication of reform, like that happens in the coming-of-age movies either good way or bad. So, according to this movie... Sorry, you have watch to know it. Impressive display by the lead two girls. Music, locations, everything was fine and holds the story till the last minute with same the intensity, then all the sudden releases it with a shocking twist. It was so quick and unexpected at that moment. So there's where I was disappointed a bit. The end should have been a more suitable one than preferable for a strong finish. But no complaints for the rest, a good teen drama which presents the evolution of love and trust to hate and disgust between two characters. 7/10
A poor, struggling South Carolinian mother and daughter face painful choices with their resolve and pride. Bone, the eldest daughter, and Anney her tired mother, grow both closer and farther apart: Anney sees Glen as her last chance.
In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.
More interested in partying and flirting with young musicians than work, veteran rock journalist Ellie Klug has one last chance to prove her value to her magazine’s editor: a no-stone-unturned search to discover what really happened to long lost rock god, Matt Smith, who also happens to be her ex-boyfriend. Teaming up with an eccentric amateur documentary filmmaker, Ellie hits the road in search of answers.
อดีตนักทนายหญิงคนเก่ง เคท แม็คคอล ที่อาชีพทำงานตกต่ำถึงขีดสุด ทางเดียวที่เธอจะกู้ชีวิตของเธอกลับมาได้นั้น คือการรับทำคดีสุดอื้อฉาว เพื่อปกป้องหญิงสาว เลซีย์ สตับบ์ ที่ถูกศาลตัดสินว่าเป็นฆาตกร เธอใช้ความสามารถที่มีทั้งหมดเพื่อพิสูจน์ความจริงว่าเลซีย์บริสุทธิ์ แต่ยิ่งเคทเข้าใกล้ความจริงมากเท่าไหร่ เธอกลับยิ่งพบเจอกับกระบวนการอันยุติธรรมที่เต็มไปด่วยเล่ห์เหลี่ยมกลโกงและทุจริต นี่จึงเป็นภาพยนตร์ที่ตีแผ่และแสดงให้เห็นถึงการต่อสู้ที่ยิ่งใหญ่ของหญิงสาวตัวเล็กๆ กับระบบยุติธรรมอันสุดอื้อฉาว และยิ่งเธอถลำลึกไปมากเท่าไหร่ เธอก็ชักไม่แน่ใจว่า จะสู้เพื่อเรียกร้องความยุติธรรมต่อไป หรือ จะยอมให้ความฉ้อฉลดำรงอยู่ต่อไปตลอดกาล
ความโศกเศร้านำพาให้แม่คนหนึ่งออกเดินทางพร้อมเพื่อนสนิท โดยจุดหมายคือการเผชิญหน้ากับชายที่เธอเชื่อว่าขโมยไอเดียธุรกิจเงินล้านของลูกชายและทำให้เขาต้องฆ่าตัวตาย
During the 1976 Soweto uprising, a white school teacher's life and values are threatened when he asks questions about the death of a young black boy who died in police custody.
ฮิลารี่ สแวงค์และแอนเจลิกา ฮัสตันนำแสดงในภาพยนตร์ของเอชบีโอเกี่ยวกับการเคลื่อนไหวเพื่อสิทธิการเลือกตั้งสตรีในอเมริกายุค 1920
A drama set in the American South, where a precocious, troubled girl finds a safe haven in the music and movement of Elvis Presley.
When motocross and heavy metal obsessed, 13-year-old Jacob's delinquent behavior forces CPS to place his little brother Wes with his aunt, Jacob and his emotionally absent father must finally take responsibility for their actions and each other in order to bring Wes home.
Nola grew up living in a van with her father, Clint—two nomads against the world. When tragedy strikes, Nola must confront the reality of life on the road alone, learning to own her grief, her past, and her new destination.