Along the lines of a mockumentary, "Ultimo giro" is the story of a growing and violent gentrification of which the Pigneto was a witness, in recent years. It is the raw and sincere representation of the same reality viewed from two opposite perspectives, but it is also the demonstration of how conflict and prejudice always deserve one last chance – one last round, why not – to be resolved and overcome.
Federico Le Pera
Edoardo
Anna Charlotte Barbera
Francesca
Along the lines of a mockumentary, "Ultimo giro" is the story of a growing and violent gentrification of which the Pigneto was a witness, in recent years. It is the raw and sincere representation of the same reality viewed from two opposite perspectives, but it is also the demonstration of how conflict and prejudice always deserve one last chance – one last round, why not – to be resolved and overcome.
Carlo and Elisa are a successful couple. He’s a university professor and writer facing a creative block; she’s a brilliant, sharp-witted journalist, known for her internationally published editorials. They live in Rome, moving between accomplishments and routine, affection and something that might be fading. In search of new energy, they travel to Morocco with their lifelong friends, Anna and Paolo, and their thirteen-year-old daughter Vittoria—bright, curious, a little eccentric. Tensions soon rise.
Alessandro and Arturo have been together for over 15 years and, despite the feeling they still have for each other, their relationship is now at crisis. When Alessandro’s best friend, out of the blue, asks them to take care of her two kids for a few days, something changes in their daily routine and love will drive them to a crazy and unexpected turn in their life.
While serving life in prison, a young man looks back at the people, the circumstances and the system that set him on the path toward his crime.
Matteo is a young successful businessman, audacious, charming and energetic. Ettore instead, is a calm, righteous, second grade teacher always living in the shadows, still in the small town from where both come from. They’re brothers but with two very different personalities. A dramatic event will force them to live together in Rome for a few months, bringing up the opportunity to face their differences with sympathy and tenderness, in a climax of fear and euphoria.
A young Roman woman during the 1950s is on the verge of becoming engaged to a man. She goes to Cinecittà to do an audition as an extra and is thrust into this almost infinite night during which she discovers herself.
Matteo Scuro is a retired Sicilian bureaucrat, a widower with five children, all of whom live on the mainland and hold responsible jobs. He decides to surprise each with a visit and finds none as he imagined.
Adriano is a middle-aged man living in a dilapidated villa in Tuscany, when a group of young idealistic students arrives to restore the villa's vineyards.
"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.
อันโตนิโอ และลูกชาย บรูโน่ ได้ออกทำงานด้วยความหวังที่จะลืมตาอ้าปากได้ แต่ทว่าเพียงเริ่มงานวันแรก จักรยานของอันโตนิโอก็ถูกขโมยไปทันที เขาออกตามหาและขอความช่วยเหลือจากเพื่อน ๆ หลายคน แต่ก็ไม่มีร่องรอย กลับกันอันโตนิโอและบรูโนกลับถูกสังคมทำร้าย ทั้ง ๆ ที่เขาไม่ใช่คนพิการทุพพลภาพ ไม่เคยทำความดีงามให้ปรากฏ หรือสังคมไม่เคยติดหนี้เขา เขาเป็นเพียงคนธรรมดา ๆ ที่ไม่เคยเรียกร้องความเห็นใจจากสังคม เพราะรู้ตัวดีว่าไม่อาจทำเช่นนั้นได้หรือทำไปแล้วก็ไม่ได้ผล แต่เมื่อเขาประสบชะตากรรรม สังคมกลับไม่แยแสเขา
In revolutionary Iran, as fundamentalists tighten their grip on society, a professor secretly gathers seven of her most dedicated female students to read and discuss forbidden classics of Western literature, including Lolita and Pride and Prejudice. Based on the bestselling memoir by Azar Nafisi. A film by Eran Riklis starring Golshifteh Farahani (Paterson), Zar Amir (Holy Spider), and Mina Kavani (No Bears).