Filmer le désir - Voyage à travers le cinéma de femmes Backdrop Blur
Filmer le désir - Voyage à travers le cinéma de femmes Poster

Filmer le désir - Voyage à travers le cinéma de femmes

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

นักแสดงนำ

  • Agnès Varda

    Agnès Varda

    Self

  • Sally Potter

    Sally Potter

    Self

  • Carine Adler

    Carine Adler

    Self

  • Catherine Breillat

    Catherine Breillat

    Self

  • Jeanne Labrune

    Jeanne Labrune

    Self

  • Liliana Cavani

    Liliana Cavani

    Self

  • Francesca Comencini

    Francesca Comencini

    Self

  • Doris Dörrie

    Doris Dörrie

    Self

  • Deepa Mehta

    Deepa Mehta

    Self

เรื่องย่อ

The film consists largely of a series of interviews with female filmmakers from several different countries and filmmaking eras. Some, such as Agnès Varda and Catherine Breillat (both from France), have been making films for decades in a conscious effort to provide an alternative to the male filmmaking model; others, such as Moufida Tlatli (Tunisia) and Carine Adler (England), are relative newcomers to directing, and their approaches seem more personal and less political. The film as a whole manages to cover some important topics in the feminist debate about film -- how does one construct a female gaze, how can one film nude bodies without objectifying the actors (of either sex), what constitutes a strong female role -- while also making it clear that “women’s film” comprises as many different approaches to filmmaking as there are female filmmakers.

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