Bên Trong Vỏ Kén Vàng
After a Vietnamese woman dies in a car crash in Saigon, her brother-in-law and her young son transport her body back to the former’s hometown in rural Vietnam, where they plan to give her a funeral.
After a Vietnamese woman dies in a car crash in Saigon, her brother-in-law and her young son transport her body back to the former’s hometown in rural Vietnam, where they plan to give her a funeral.
Le Phong Vu
Thien
Nguyen Thinh
Dao
Nguyen Thi Truc Quynh
Sister Thao
Vu Ngoc Manh
Trung
Dylan Besseau
Hunh
Phi Điểu
The Old Lady
Nguyen Van Lu'u
Mr. Luu
Mạnh Cường
The Priest
Phan Ti My Duyen
Sister Duyen
After a Vietnamese woman dies in a car crash in Saigon, her brother-in-law and her young son transport her body back to the former’s hometown in rural Vietnam, where they plan to give her a funeral.
Finding meaning and purpose in life can be a long and solitary journey, especially if one doesn’t know how or where to look. So it is for a single, lonely thirtysomething seeker (Le Phong Vu) living in Saigon after moving there from his rural mountain village after most of his family emigrates to America. He feels empty and lost as he looks for a suitable path to follow, but nothing turns up, leaving him increasingly adrift and unfulfilled. However, when a family tragedy occurs, he must return home to pay final respects to a deceased loved one with his young, orphaned nephew (Nguyen Thinh) in tow. The journey thus becomes a metaphor for his search, an absorbing meditation on life, love, death, finding oneself and letting go of old ghosts from the past, including an old flame (Nguyen Thi Truc Quynh) who now has a more serious commitment. This odyssey is fittingly depicted cinematically with a series of long tracking shots and deliberately slow pacing to emphasize the extended time it takes to make such a measured, thoughtful and revelatory passage, one beautifully enhanced by positively gorgeous cinematography. It’s the kind of film that gives similarly situated viewers much to think about, particularly given that they’re likely to relate to the circumstances of their on-screen counterpart. However, writer-director Thien An Pham’s debut film – winner of the 2023 Cannes Film Festival’s Golden Camera Award for best premiere feature – could benefit handsomely from some judicious editing, especially in the second half. While this release is definitely a feast for the eyes, some sequences nevertheless go on needlessly long and could have been cut by about 20-30 minutes to reduce its patience-trying three-hour runtime. This shortcoming aside, though, “Inside the Yellow Cocoon Shell” gives audiences a revealing look at the work of a gifted new talent with tremendous potential, one who successfully brings both beauty and inspiration to an insightful finished product. As trite as it may seem, finding our place in the cosmos rests more with the journey than the destination, as the protagonist discovers for himself, a realization many of us can no doubt relate to.
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พนักงานขายที่ทำงานหนักกลายเป็นผู้ป่วยอัมพาตครึ่งล่างหลังจากเกิดอุบัติเหตุ
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หลังจากพยายามฆ่าตัวตาย เลนได้ย้ายเข้าไปอยู่ในบ้านในชนบทเพื่อพักฟื้น สเตฟานี เพื่อนสนิทของเธอมาอยู่กับเธอในช่วงฤดูร้อน ไดแอน แม่ของเลนเพิ่งมาถึงพร้อมกับลอยด์ สามีของเธอ ซึ่งเป็นพ่อเลี้ยงของเลน เลนมีเพื่อนบ้านสองคนคือปีเตอร์และฮาวเวิร์ด ฮาวเวิร์ดตกหลุมรักเลน เลนตกหลุมรักปีเตอร์ และปีเตอร์ก็ตกหลุมรักสเตฟานี