grass grows from the middle – thinking like grass Backdrop Blur
grass grows from the middle – thinking like grass Poster
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grass grows from the middle – thinking like grass

The experimental short film is a fragmentary attempt to investigate the political potential of grasses, which in purely biological terms, in distinction to many other plants, do not grow from the root or from the tip, but from their own center. The short film does not fulfill expectations of a nature documentary, much more it explores the analogies to human and animal hair and thus dares a deconstructive attempt of diverse norms of beauty and design as well as ethics of use and exploitation that shape bodies and nature. The short film asks about the so-called "natural", about what is allowed to grow in our society and what is trimmed, shaved, cut and domesticated. The aesthetic breaks through the use of different media (Super 8 and Mini DV) and the "trimmed" screen not only takes a critical look at current reception habits, but also questions overarching norms and ideals, which is underlined by the song "mess it up" by catnapp and the integration of collected sounds.

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The experimental short film is a fragmentary attempt to investigate the political potential of grasses, which in purely biological terms, in distinction to many other plants, do not grow from the root or from the tip, but from their own center. The short film does not fulfill expectations of a nature documentary, much more it explores the analogies to human and animal hair and thus dares a deconstructive attempt of diverse norms of beauty and design as well as ethics of use and exploitation that shape bodies and nature. The short film asks about the so-called "natural", about what is allowed to grow in our society and what is trimmed, shaved, cut and domesticated. The aesthetic breaks through the use of different media (Super 8 and Mini DV) and the "trimmed" screen not only takes a critical look at current reception habits, but also questions overarching norms and ideals, which is underlined by the song "mess it up" by catnapp and the integration of collected sounds.

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Roundhay Garden Scene

The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.

Roundhay Garden Scene

6.5 1888