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Opera Trans*formed

“If I wasn’t an opera singer, would I be a trans man?” asks Teiya Kasahara, a gender non-binary singer, partway through the film. It’s a dilemma facing gender non-binary and trans singers working in a field whose roles are rigidly defined along gender lines: sopranos and mezzos are cast as women (so-called “trouser roles” aside); tenors and basses as men. Teiya Kasahara (they/them) leads a new generation of trans* opera performers, activists and self-proclaimed “shit-disturbers” making their voices heard–whether the classical music world likes it or not.

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  • Teiya Kasahara

    Teiya Kasahara

เรื่องย่อ

“If I wasn’t an opera singer, would I be a trans man?” asks Teiya Kasahara, a gender non-binary singer, partway through the film. It’s a dilemma facing gender non-binary and trans singers working in a field whose roles are rigidly defined along gender lines: sopranos and mezzos are cast as women (so-called “trouser roles” aside); tenors and basses as men. Teiya Kasahara (they/them) leads a new generation of trans* opera performers, activists and self-proclaimed “shit-disturbers” making their voices heard–whether the classical music world likes it or not.

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We Live in Public

In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.

We Live in Public

6.9 2009