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Nunca seré policía

My uncle gave me his film archives. When I watched them, I realized that he had a comprehensive video diary, that he is a lover of images, and that he recorded everything as if he had been mandated by a public administrator to create memories. I see myself surrounded by them in his archives. They are my uncles, cousins and grandfathers – all policemen. My childhood with my family was surrounded by the PDI, Chile’s investigative police. Guns, badges, uniforms, gunshots. Almost all the men in my family are policemen. I look at my uncle’s images, at these ordinary men, even though I don’t know what that means. The story, the archives, the future, the violence and the police. Men and police as an inescapable relationship to think about.

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เรื่องย่อ

My uncle gave me his film archives. When I watched them, I realized that he had a comprehensive video diary, that he is a lover of images, and that he recorded everything as if he had been mandated by a public administrator to create memories. I see myself surrounded by them in his archives. They are my uncles, cousins and grandfathers – all policemen. My childhood with my family was surrounded by the PDI, Chile’s investigative police. Guns, badges, uniforms, gunshots. Almost all the men in my family are policemen. I look at my uncle’s images, at these ordinary men, even though I don’t know what that means. The story, the archives, the future, the violence and the police. Men and police as an inescapable relationship to think about.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

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