Archivist and researcher Isabelle Ullern investigates the official archives of philosopher Sarah Kofman. “I become her ventriloquist”, she says. Digging into the archives, she brings back the memories of Sarah, who committed suicide in October 1994 — her works as a philosopher and her past as a hidden child of the Holocaust… For the duration of the film, Isabelle embodies Sarah.
Archivist and researcher Isabelle Ullern investigates the official archives of philosopher Sarah Kofman. “I become her ventriloquist”, she says. Digging into the archives, she brings back the memories of Sarah, who committed suicide in October 1994 — her works as a philosopher and her past as a hidden child of the Holocaust… For the duration of the film, Isabelle embodies Sarah.
The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.
เส้นทางสุสานใต้ดินที่ลดเลี้ยวเคี้ยวคดใต้ท้องถนนของกรุงปารีส เป็นสถานที่หลับใหลชั่วนิรันดร์ของดวงวิญญาณนับไม่ถ้วน เมื่อทีมนักสำรวจได้หาญกล้าบุกเข้าไปในเขาวงกตกระดูกที่ไม่เคยมีใครย่างเท้าเข้าไปมาก่อน พวกเขาก็ได้ค้นพบความลับมืดดำที่ซ่อนอยู่ภายในนครแห่งความตายนี้ As Above, So Below โดยเลเจนดารี่ พิกเจอร์ส การเดินทางเข้าสู่ความบ้าคลั่งและความสยดสยอง ได้ล้วงลึกเข้าไปในจิตเบื้องลึกของมนุษย์ เพื่อเผยถึงอดีตมืดดำภายในจิตใจที่ตามหลอกหลอนพวกเราทุกคน
Ilsa, a warden at a Nazi death camp that conducts experiments on prisoners, strives to prove that women can withstand more pain and suffering than men, and therefore should be allowed to fight on the frontlines.
In 1964, Henri-Georges Clouzot's production of L'Enfer came to a halt. Despite huge expectations, major studio backing and an unlimited budget, after three weeks the production collapsed. This documentary presents Inferno's incredible expressionistic original rushes, screen tests, and on-location footage, whilst also reconstructing Clouzot's original vision, and shedding light on the ill-fated endeavor through interviews, dramatizations of unfilmed scenes, and Clouzot's own notes.
The film contains five stories set on desolate stretches of a desert highway. Two men on the run from their past, a band on its way to a gig, a man struggling to get home, a brother in search of his long-lost sister and a family on vacation are forced to confront their worst fears and darkest secrets in these interwoven tales.
The story of Nobel Prize winner Maria Skłodowska-Curie and her extraordinary scientific discoveries—through the prism of her marriage to husband Pierre—and the seismic and transformative effects their discovery of radium had on the 20th century.
A love letter from a young mother to her daughter, the film tells the story of Waad al-Kateab’s life through five years of the uprising in Aleppo, Syria as she falls in love, gets married and gives birth to Sama, all while cataclysmic conflict rises around her. Her camera captures incredible stories of loss, laughter and survival as Waad wrestles with an impossible choice– whether or not to flee the city to protect her daughter’s life, when leaving means abandoning the struggle for freedom for which she has already sacrificed so much.
After a disfiguring leg injury, a young woman develops an unsettling secret relationship with her own body in which pain is pleasure, mutilation is love and hungers of the flesh have a mind of their own.
With the epic dimensions of a Shakespearean tragedy, The Queen of Versailles follows billionaires Jackie and David’s rags-to-riches story to uncover the innate virtues and flaws of their American dream. We open on the triumphant construction of the biggest house in America, a sprawling, 90,000-square-foot mansion inspired by Versailles. Since a booming time-share business built on the real-estate bubble is financing it, the economic crisis brings progress to a halt and seals the fate of its owners. We witness the impact of this turn of fortune over the next two years in a riveting film fraught with delusion, denial, and self-effacing humor.
หญิงผู้ลี้ภัยชาวยิว (เฮเลน เมียร์เรน) ร่วมมือทนายหนุ่ม (ไรอัน เรย์โนลด์ส) ในการฟ้องรัฐบาลออสเตรีย เพื่อที่จะนำภาพงานศิลปะล้ำค่าของครอบครัวเธอ ที่ถูกขโมยโดยพวกนาซีในช่วงสงครามโลกครั้งที่ 2