L'île de lumière

In this, the sequel to Jean de Florette, Manon has grown into a beautiful young shepherdess living in the idyllic Provencal countryside. She plots vengeance on the men who greedily conspired to acquire her father's land years earlier.

On the French island of Mont Saint-Michel, Jack, a failed presidential candidate, Tom, a poet and Sonia, a physicist, engage in an intellectual conversation about politics, philosophy and life over the course of a single day.

Jean and Otto, a French newspaperman and a young German Francophile, are fighting for peace in Europe. Jean’s daughter, Corinne, is launching a brilliant acting career in the film world, but war breaks out and France is occupied. The two friends have a major role to play in this new France. Jean becomes a big press baron and an ardent advocate of collaboration with the occupying forces, while Otto becomes the Reich’s ambassador in Paris. Corinne, meanwhile, finds herself thrown into the lion’s pit.

Antoine and Laurent, old friends, spend their vacation in Corsica with their respective daughters: seventeen-year-old Louna and eighteen-year-old Marie. One evening at the beach, Louna seduces Laurent. Louna is in love, but for Laurent it was nothing more than a momentary distraction. Without revealing her lover's name, Louna confides in her father, who tries by any means to discover who his daughter's lover is. How long will the secret be able to be kept hidden?

คุณเคยเห็นโลกภาคพื้นดินผ่านท้องฟ้าสีครามหรือไม่ ผืนน้ำใสสะอาด ถนนหนทาง ตึกรามบ้านช่อง ป่าไม้เขียวขจี เสมือนเรากำลังโอบกอดโลกทั้งใบไว้ได้ด้วยสองมือของเรา ยานน์ อาร์ทัส-เบอร์ทรานด์ ผู้กำกับและช่างภาพทางอากาศ กำลังแสดงให้เราเห็นถึงโลกที่เขาเชื่อว่ายังมีอีกหลายคนที่ยังไม่เคยพบ มุมมองที่มนุษย์เดินดินไม่มีวันได้เห็น โลกที่เหมือนเพชรสีน้ำเงินลอยอยู่ในห้วงแห่งอวกาศอันมืดมิด ทำให้เราได้เห็น ได้เข้าใจ และตระหนักถึงภัยพิบัติที่กำลังจะเกิดขึ้นผ่านช่วงเวลายาวนาน จนทรัพย์สมบัติที่มีชื่อว่า ธรรมชาติกำลังจะสูญสลายไปด้วยมือของเรา และนั่นอาจหมายถึงสัญญาณที่เตือนว่า คงถึงเวลาที่เราจำเป็นปกป้องบ้านหลังใหญ่นี้ไว้ด้วยตัวของเราเอง ...

In a suburban landscape, the lives of several families interlace with loss, despair and personal crisis. Esther Gold has lost focus on all but caring for her comatose son, Paul, and neglects her daughter and husband. Lawyer Jim Train is devoted to his career, not his family. Helen Christianson wants to find a new spark in life, while Annette Jennings tries to rebuild hers.

A World War II veteran hunts down the Nazi collaborators who killed his wife.

Jamie Fitzpatrick and Nona Alberts are two women from opposites sides of the social and economic track, but they have one thing in common: a mission to fix their community's broken school and ensure a bright future for their children. The two women refuse to let any obstacles stand in their way as they battle a bureaucracy that's hopelessly mired in traditional thinking, and they seek to re-energize a faculty that has lost its passion for teaching.

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

In a rural French village, an old man and his only remaining relative cast their covetous eyes on an adjoining vacant property. They need its spring water for growing their flowers, and are dismayed to hear that the man who has inherited it is moving in. They block up the spring and watch as their new neighbour tries to keep his crops watered from wells far afield through the hot summer. Though they see his desperate efforts are breaking his health and his wife and daughter's hearts, they think only of getting the water.