Indulgenza Plenaria

Rome, Italy. After committing a heinous crime, a senior police officer exposes evidence incriminating him because his moral commitment prevents him from circumventing the law and the social order it protects.

Secretary of the most influential Communist Party in the Western world, Enrico Berlinguer challenged the international balance by seeking to bring the Communists to government in Italy and achieve socialism in a democratic country. From 1973, when he escaped an attack by the Bulgarian secret services, to the assassination of his main ally Aldo Moro in 1978, not forgetting his trips to Moscow and the covers of Time: the story of a man who wanted to change the world, but failed.

A young writer is interrogated by a sadistic secret policeman. She is accused of embedding political messages in her children's stories. The entire movie takes place in one room, with only the two actors. The movie is set in an unidentified, modern police state.

"Loro", in two parts, is a period movie that chronicles, as a fiction story, events likely happened in Italy (or even made up) between 2006 and 2010. "Loro" wants to suggest in portraits and glimps, through a composite constellation of characters, a moment in history, now definitively ended, which can be described in a very summary picture of the events as amoral, decadent but extraordinarily alive. Additionally, "Loro" wishes to tell the story of some Italians, fresh and ancient people at the same time: souls from a modern imaginary Purgatory who, moved by heterogeneous intents like ambition, admiration, affection, curiosity, personal interests, establish to try and orbit around the walking Paradise that is the man named Silvio Berlusconi.

In this satire inspired by Nikolai Gogol’s The Government Inspector (aka The Inspector General) and transported to fascist era Italy, the (supposed) incognito visit of a Roman fascist official to a tiny country town shakes deeply the ruling class and their lack of integrity.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel.

A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.

To mark the recent thirtieth anniversary of Sergio Leone’s death, this documentary sets out to pay tribute to one of the great legends of world cinema. The singular artistic vision of Sergio Leone has transcended national borders, creating the Spaghetti Western genre and transforming the international cinematic panorama forever with his innovative stylistic and narrative solutions, which have now become part of the language of the movies. The film, which is enriched with precious archive footage from the Cineteca di Bologna, including rare audio recordings and film clips shot behind the scenes, sees for the first time the direct participation of the Leone family and has interviews both with Leone’s longtime collaborators and with icons of Hollywood who have been profoundly influenced by his work.

The epic tale of a class struggle in twentieth century Italy, as seen through the eyes of two childhood friends on opposing sides.