Willy 1er
Willy, a boorish 50 something, finally moves out of his parents’ to start a new life
Willy, a boorish 50 something, finally moves out of his parents’ to start a new life
Daniel Vannet
Willy / Michel Prevost
Noémie Lvovsky
Catherine
Romain Léger
Willy II
Robert Follet
Père de Willy
Geneviève Plet
Mère de Willy
Eric Jacquet
José
Kiki
Responsable du personnel
Lea Viller
Fille de Catherine
Alexandre Jacques
Brice
Willy, a boorish 50 something, finally moves out of his parents’ to start a new life
Victor is a legal advisor who finds himself abandoned by his wife and fired the same day. He tries to seek comfort from different friends and family members, but everyone he meets is concerned with their own problems. His morale begins to falter when he realizes that no one cares about him.
Fred Bartel is the charismatic boss of a trendy Parisian communication agency, Happy Few. After a heated tax audit, he was forced by the administration to relocate overnight his company in La Courneuve. Fred and his team meet Samy, a young suburb who will quickly propose to teach them the rules and practices to adopt in this new environment.
After a job interview gone wrong, Lulu sets sail leaving her husband and three children behind. But being an adventurer is easier said than done.
Justine, struggles with commitment, listens to old David Bowie covers, and uses her employer’s private MRI machines to make “X-Ray Art” After a trail of boyfriends, Justine thinks she has found The One, a hunky shoe salesman, but her temporary happiness is thrown when her neurotic 60-year-old Jewish father (Michel Blanc) suffers a delayed midlife crisis and announces that his young second wife is expecting a baby. Justine and her half-sister Dom, who is trying to adopt, are rather annoyed at the news. Coupled with resentment about her father’s absence when she was growing up, causes her to spiral into self-doubt. Overflowing with French charm, Justine gets by with the help of her family, friends, and newly discovered muse.
A young filmmaker in 1960s Paris juggles directing a cheesy sci-fi debacle, directing his own personal art film, coping with his crumbling relationship with his girlfriend, and a new-found infatuation with the sci-fi film's starlet.
Two whimsical, aimless thugs harass and assault women, steal, murder, and alternately charm, fight, or sprint their way out of trouble. They take whatever the bourgeoisie holds dear, whether it’s cars, peace of mind, or daughters. Marie-Ange, a jaded, passive hairdresser, joins them as lover, cook, and mother confessor. She’s on her own search for seemingly unattainable sexual pleasure.
A director wants to make a documentary about actresses, all actresses: the popular ones, the unknown ones, the intellectuals, the comedians, the forgotten ones... Filming everything, with or without their consent, the director gets caught up in the game and lets herself be devoured by these women, who are as fragile as they are manipulative.
A director struggles with a difficult sex scene between a young actor and actress who can't stand one another. Aided by her loyal assistant, she is hell-bent on getting the scene right without compromise.
When 43-year-old hairdresser Suze Trappet finds out that she's seriously ill, she decides to go looking for a child she was forced to abandon when she was only 15. On her madcap bureaucratic quest she crosses paths with JB, a 50-year-old man in the middle of a burnout, and Mr. Blin, a blind archivist prone to overenthusiasm. The unlikely trio set off on a hilarious and poignant helterskelter journey across the city in search of Suze's long-lost child.
ความหลงใหลและพรสวรรค์ของนีน่า เกลด์ทำให้เธอเป็นดาวรุ่งในวงการตลก แต่เธอกลับเป็นคนอารมณ์แปรปรวนนอกเวที เมื่อโอกาสทางอาชีพใหม่มาบรรจบกับโอกาสความรัก เธอถูกบังคับให้เผชิญหน้ากับอดีตที่แสนเจ็บปวดของตัวเอง