Burn
The impossibility of optimism regarding technology, whether for future predictions or as nostalgia for a past that has already been compromised, may perhaps be dismantled by the new perspectives and inspirations that arise with the creation of generative visual materials. With the intersection of technology and human cognition—in the past restricted to science fiction—we have the creation of new paradigms, deepening our possibilities for art and dreams. We do not necessarily learn from the mistakes of the past, but we can more clearly visualize the insertion of man in the technological problem, with creative freedom stimulated by dreams and the expansions resulting from contact with the multiplicity of pure duration.
