Film sans titre - La Maison de production

After writing for Cahiers du cinéma, a young Jean-Luc Godard decides making films is the best film criticism. He convinces producer Georges de Beauregard to fund a low-budget feature, and creates a treatment with fellow New Wave filmmaker François Truffaut about a gangster couple. The result? Breathless, one of the first features of the Nouvelle Vague era of French cinema.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

A chronicle of the production problems — including bad weather, actors' health, war near the filming locations, and more — which plagued the filming of Apocalypse Now, increasing costs and nearly destroying the life and career of Francis Ford Coppola.

39 years old Jacques Monot is tired from the same vacation he and his family have every year so he decides to buy a boat.

A look at the first years of Pixar Animation Studios - from the success of "Toy Story" and Pixar's promotion of talented people, to the building of its East Bay campus, the company's relationship with Disney, and its remarkable initial string of eight hits. The contributions of John Lasseter, Ed Catmull and Steve Jobs are profiled. The decline of two-dimensional animation is chronicled as three-dimensional animation rises. Hard work and creativity seem to share the screen in equal proportions.

Jobs เป็นภาพยนตร์ชีวประวัติของ CEO บริษัทยักษ์ใหญ่อย่าง Apple ( สตีฟ จ็อบส์ ) ที่ใครๆ ก็รู้จักกันทั่วทุกมุมโลก. Jobs เป็นภาพยนตร์ที่ตีแผ่ประวัติของ สตีฟ จ็อบส์ โดย แอชตัน คุชเชอร์ มารับบทนำในเรื่องนี้. Jobs เล่าถึงเรื่องราวทรงพลังและน่าทึ่งของผู้ชายคนหนึ่ง ที่ต้องการเปลี่ยนโลก... และสุดท้ายก็ทำจนสำเร็จ “Jobs” เล่าถึงช่วงเวลาระหว่างปี 1970 จนถึง 2000 ที่สร้างผลกระทบและหล่อหลอมให้ สตีฟ จ็อบส์ กลายเป็นไอค่อนแห่งวงการไอทีอย่างที่ทุกคนรู้จัก เดินทางไปกับ แอชตัน คุชเชอร์ ในบทของ สตีฟ จ็อบส์ สัมผัสกับแรงบันดาลใจ การค้นพบตัวตน จุดต่ำสุดของชีวิต ชัยชนะที่ยิ่งใหญ่ และความพยายามอย่างไม่ลดละในการเปลี่ยนโลกที่ทุกคนเคยรู้จัก....12 กันยายน ปลุกแรงบันดาลใจไปพร้อมกัน.

An account of the extraordinary life of film pioneer Georges Méliès (1861-1938) and the amazing story of the copy in color of his masterpiece A Trip to the Moon (1902), unexpectedly found in Spain and restored thanks to the heroic efforts of a group of true cinema lovers.

An intimate conversation between filmmakers, chronicling De Palma’s 55-year career, his life, and his filmmaking process, with revealing anecdotes and, of course, a wealth of film clips.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A second-class horror movie has to be shown at Cannes Film Festival, but, before each screening, the projectionist is killed by a mysterious fellow, with hammer and sickle, just as it happens in the film to be shown.