黒澤明~創ると云う事は素晴らしい~影武者
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).
油井昌由樹
Narrator
野上照代
Self
斎藤孝雄
Self
小泉堯史
Self
黒澤明
Self
隆大介
Self
根津甚八
Self
仲代達矢
Self
Kota Yui
Self
Documentary made by Toho for the Masterworks reissue of all of its Kurosawa films. This one focuses on "Kagemusha" (1980).
An inside look at one of the most anticipated movie sequels ever with James Cameron and cast.
JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
เมื่อนักสร้างสารคดีพบว่ามหาสมุทรต่างๆ บนโลกกำลังล้นปริ่มไปด้วยขยะพลาสติก เขาจึงออกสืบสวนเพื่อค้นหาผลกระทบของมลพิษต่อสิ่งแวดล้อม
Martin Scorsese’s portrait of writer and social commentator Fran Lebowitz, celebrated for her sharp wit and observations on modern life. Filmed at New York’s Waverly Inn and intercut with archival footage and interviews, the documentary captures Lebowitz’s distinctive worldview through her spontaneous monologues and public appearances.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
A documentary about the life and films of director John Ford.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A documentary on the expletive's origin, why it offends some people so deeply, and what can be gained from its use.