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หลายปีหลังจากวันสิ้นโลก ลัทธิเคร่งศาสนาของกลุ่มคนใบ้คลั่งได้ออกตามล่าอัศราเอล (ซามารา วีฟวิ่ง) หญิงสาวที่หนีจากการคุมขังของพวกเขา และเธอจะไม่หยุดเพื่อให้แน่ใจว่าเธอจะมีชีวิตรอด

คะแนน

4 รีวิว

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  Manuel São Bento

  7 25 ก.ย. 2567

  FULL SPOILER-FREE REVIEW @ https://movieswetextedabout.com/azrael-review-a-dialogue-free-horror-that-thrives-on-visuals-and-samara-weavings-magnetic-performance/ "Azrael is characterized by the absence of dialogue and a dense visual narrative, challenging viewers to interpret every detail. E. L. Katz's direction, combined with Mart Taniel's captivating cinematography, creates a mysterious, immersive atmosphere, though it doesn't always balance the story's ambiguity with the need for emotional impact. Nonetheless, Samara Weaving's magnetic performance is the true pillar that holds the movie together, making it a compelling experience with several memorable moments of horror and violence, even if some of its more abstract elements may frustrate part of the audience. An audacious, artful work with enough entertainment value to satisfy mainstream viewers." Rating: B

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  Dean

  3 23 ต.ค. 2567

  Dumb and boring where political message seems more important than a story itself. No explanation what happened or what's going on. All we have is a stupid girl who became John Wick and magically managed to kill whole village without a scratch. Seriously, don't waste your time on this garbage. If you stil decide to watch it anyway, bear in mind there's no speech in this movie. It's a bad copy of "Quiet Place" with no plot & bad performance.

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  RalphRahal

  6 8 ม.ค. 2568

  Azrael is one of those movies where the lead actress carries the whole thing on her shoulders. Samara Weaving absolutely owns her role with such expressive intensity and raw energy that you can’t take your eyes off her. She makes Azrael a character worth rooting for, even when the story doesn’t give her much to work with. Her performance is electric, and she brings so much life to a movie that often feels like it’s just... happening around her. Visually, the film is stunning. The cinematography and the dark, oppressive atmosphere set the perfect tone for a post-apocalyptic horror. The Burned Ones are terrifying to look at, and the world feels genuinely dangerous. But where it falters is the script. There’s no backstory, no real character buildup, and the lack of explanation for anything, be it the monsters, the cult, or Azrael’s choices, leaves you feeling like you’re grasping at straws to make sense of it all. A little more depth or context would’ve gone a long way in turning this into something truly memorable. As it stands, Azrael is a chilling, beautifully directed horror movie with flashes of brilliance, but it’s ultimately a missed opportunity. It delivers on mood and style, but it skimps on substance. It’s worth watching for Samara Weaving alone, but don’t expect the story to stick with you in the same way her performance will.

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  jw

  3 4 มิ.ย. 2569

  Film students often shoot a horror movie as their first project, as it is the easiest and cheapest option—requiring hardly any dialogue or plot. This film represents an extreme case of that phenomenon: where no one speaks, there is simply no script. Granted, something could have been made of this concept had the plot been more complex. But as it stands, it remains entirely at the level of a student film. Given that, the production costs are baffling; I have seen significantly better fan-made productions for just US$ 23,000. OK, people did their job, so they got paid. The cinematography and performances — particularly that of the lead actress — are good. The crew did a solid job. But the script, direction, and production: What exactly was the point?