The film begins with a sequence of shots showing the journey a tree takes from being cut down to arriving at the sawmill. The narrator analyzes forest management and the timber industry and warns against the excessive exploitation of forests. The camera films wooden furniture and other wooden objects, logging and timber transport work. The film ends with shots of destroyed nature.
The film begins with a sequence of shots showing the journey a tree takes from being cut down to arriving at the sawmill. The narrator analyzes forest management and the timber industry and warns against the excessive exploitation of forests. The camera films wooden furniture and other wooden objects, logging and timber transport work. The film ends with shots of destroyed nature.
เรื่องราวเกี่ยวกับชีวิตสมัยใหม่และความไม่สมดุลกันอย่างน่าตกใจที่ถูกทำเป็นภาพยนตร์เป็นเรื่องราวแรกในภาพยนตร์ไตรภาคก่อนเรื่องโพวาคัทสึ
Capturing Avatar is a feature length behind-the-scenes documentary about the making of Avatar. It uses footage from the film's development, as well as stock footage from as far back as the production of Titanic in 1995. Also included are numerous interviews with cast, artists, and other crew members. The documentary was released as a bonus feature on the extended collector's edition of Avatar.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
In this short film, Laurel and Hardy wage battle with inanimate objects, their co-workers, and the laws of physics during a routine work day at a sawmill.
Years spent recording footage of creatures from every corner of the globe is bound to produce a bit of drama. Here's a behind-the-scenes look.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.
A documentary on the modeling industry's 'supply chain' between Siberia, Japan, and the U.S., told through the experiences of the scouts, agencies, and a 13-year-old model.
With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.
Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
In the last days of a dying logging town, Christian returns to his family home for his father Henry’s wedding. While home, Christian reconnects with his childhood friend Oliver, who has stayed in town working at Henry’s timber mill and is now out of a job. As Christian gets to know Oliver’s wife Charlotte, daughter Hedvig, and father Walter, he discovers a secret that could tear Oliver’s family apart.