A parade of Gordon Highlanders in dress uniform march through the centre of Aberdeen on their way to the Boer War. Small children run around in excitement but are moved aside by a member of the regiment. Directed by Robert W. Paul.
Gordon Highlanders
Themselves
A parade of Gordon Highlanders in dress uniform march through the centre of Aberdeen on their way to the Boer War. Small children run around in excitement but are moved aside by a member of the regiment. Directed by Robert W. Paul.
When Sgt. First Class Brian Eisch is critically wounded in Afghanistan, it sets him and his sons on a journey of love, loss, redemption and legacy.
Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.
With unprecedented access, this documentary follows the extraordinary journey of “Raqqa is Being Slaughtered Silently”—a group of anonymous citizen journalists who banded together after their homeland was overtaken by ISIS—as they risk their lives to stand up against one of the greatest evils in the world today.
ภารกิจของหมวดทหารยูเครน: เดินทางผ่านป่าที่มีป้อมปราการแน่นหนาเป็นระยะทางหนึ่งไมล์เพื่อปลดปล่อยหมู่บ้านยุทธศาสตร์จากกองกำลังรัสเซีย นักข่าวร่วมเดินทางไปกับพวกเขา เฝ้าดูความเสียหายจากสงครามและความไม่แน่นอนที่เพิ่มมากขึ้นเกี่ยวกับบทสรุปของสงคราม
Set both in Latin America and the United States, the film explores the historic and current relationship of Washington with countries such as Venezuela, Bolivia and Chile. Pilger says that the film "...tells a universal story... analysing and revealing, through vivid testimony, the story of great power behind its venerable myths. It allows us to understand the true nature of the so-called "war on terror". According to Pilger, the film’s message is that the greed and power of empire is not invincible and that people power is always the "seed beneath the snow".
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
หนังสารคดีที่ ปีเตอร์ แจ็กสัน นำฟุตเทจสงครามโลกครั้งที่หนึ่งมาบูรณะใหม่ ทั้งใส่สี ปรับความคมชัด และเพิ่มเสียง โดยมีเพียงเสียงบอกเล่าจากทหารผ่านศึกเท่านั้น ทำให้ผู้ชมได้สัมผัสชีวิตในแนวหน้าและความโหดร้ายของสงครามอย่างใกล้ชิด
This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.
Produced and presented as evidence at the Nuremberg war crimes trial of Hermann Göring and twenty other Nazi leaders, this film consists primarily of dead and surviving prisoners and of facilities used to kill and torture during the World War II.
The earliest surviving motion-picture film, and believed to be one of the very first moving images ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken on paper-based photographic film in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), on 14 October 1888. The film shows Adolphe Le Prince (Le Prince’s son), Mrs. Sarah Whitley (Le Prince’s mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. Roundhay Garden Scene is often associated with a recording speed of around 12 frames per second and runs for about 2 to 3 seconds.