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Ghost Like Us

Revisiting the Indonesian horror / exploitation films of the 80s and 90s that he loved as a teenager, Riar Rizaldi examines the ways in which these films – shown outside of the theatre and other formal spaces of the film industry – constitute a ‘cinematic elsewhere’.

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Revisiting the Indonesian horror / exploitation films of the 80s and 90s that he loved as a teenager, Riar Rizaldi examines the ways in which these films – shown outside of the theatre and other formal spaces of the film industry – constitute a ‘cinematic elsewhere’.

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