in the present tense Backdrop Blur
in the present tense Poster
ไม่มีเรตติ้ง 0h 11m

in the present tense

"an ethnographic fillum"

What is an ethnographic film? Can there even be one? This film is an attempt— or, as we have come to call it, a "botched baby"— of trying to capture and read Humayunpur by thinking of how the city is reproduced by northeast migrants in Delhi. The title is play on words, for the tension and violence that is omnipresent in this process of place-making often goes unnoticed by the "rice beer-paglus" who haunt the lanes of Humayunpur.

นักแสดงนำ

เรื่องย่อ

What is an ethnographic film? Can there even be one? This film is an attempt— or, as we have come to call it, a "botched baby"— of trying to capture and read Humayunpur by thinking of how the city is reproduced by northeast migrants in Delhi. The title is play on words, for the tension and violence that is omnipresent in this process of place-making often goes unnoticed by the "rice beer-paglus" who haunt the lanes of Humayunpur.

คะแนน

ไม่มีเรตติ้ง / 10
0 รีวิว
0 ยอดนิยม

ภาพยนตร์แนะนำ

House of Sand and Fog

Behrani, an Iranian immigrant buys a California bungalow, thinking he can fix it up, sell it again, and make enough money to send his son to college. However, the house is the legal property of former drug addict Kathy. After losing the house in an unfair legal dispute with the county, she is left with nowhere to go. Wanting her house back, she hires a lawyer and befriends a police officer. Neither Kathy nor Behrani have broken the law, so they find themselves involved in a difficult moral dilemma.

House of Sand and Fog

7.2 2003
Cameraperson

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Cameraperson

6.7 2016
Tongues Untied

Marlon Riggs, with assistance from other gay Black men, especially poet Essex Hemphill, celebrates Black men loving Black men as a revolutionary act. The film intercuts footage of Hemphill reciting his poetry, Riggs telling the story of his growing up, scenes of men in social intercourse and dance, and various comic riffs, including a visit to the "Institute of Snap!thology," where men take lessons in how to snap their fingers: the sling snap, the point snap, the diva snap.

Tongues Untied

6.6 1990
Alone in the Wilderness

Dick Proenneke retired at age 50 in 1967 and decided to build his own cabin in the wilderness at the base of the Aleutian Peninsula, in what is now Lake Clark National Park. Using color footage he shot himself, Proenneke traces how he came to this remote area, selected a homestead site and built his log cabin completely by himself. The documentary covers his first year in-country, showing his day-to-day activities and the passing of the seasons as he sought to scratch out a living alone in the wilderness.

Alone in the Wilderness

7.9 2004
The Tickle King

Featuring new, previously unseen footage documenting the bizarre and unsettling things that happened to filmmakers David Farrier and Dylan Reeve as Tickled premiered at film festivals and theaters in 2016. Lawsuits, private investigators, disrupted screenings and surprise appearances are just part of what they encounter along the way. Amidst new threats, the duo begins to answer questions that remained once the credits rolled on Tickled, including whether the disturbing behavior they uncovered will ever come to an end.

The Tickle King

7.0 2017