続社長紳士録

The world-famous woodblock artist Hokusai (1760-1849), a widower in need of a steady income, lives with his daughter Oei in the house of his friend Bakin.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

Subu makes pornographic films. He sees nothing wrong with it. They are an aid to a repressed society, and he uses the money to support his landlady, Haru, and her family. From time to time, Haru shares her bed with Subu, though she believes her dead husband, reincarnated as a carp, disapproves. Director Shohei Imamura has always delighted in the kinky exploits of lowlifes, and in this 1966 classic, he finds subversive humor in the bizarre dynamics of Haru, her Oedipal son, and her daughter, the true object of her pornographer-boyfriend’s obsession. Imamura’s comic treatment of such taboos as voyeurism and incest sparked controversy when the film was released, but The Pornographers has outlasted its critics, and now seems frankly ahead of its time.

ในยุคแห่งการปฏิวัติ มารี อ็องตัวแน็ต และออสการ์ ฟรังซัวส์ เดอ จาร์เจ ผู้เป็นราชองครักษ์ ถึงทางแยกที่ต้องตัดสินใจ เมื่อผู้หญิงมีบทบาทสำคัญ

Five stories, five maestros, five styles and one common denominator: maximum creativity. Studio 4°C, the coolest label on the planet, invites us for the second time to an exclusive reunion of a talents with a group film, full of freedom and ingenuity, that goes from Mahiro Maeda's classic anime, to Kazuto Nakazawa's intricate urban sketches, Shinya Ohira's bedlam of color and Tatsuyuki Tanaka's animated cyberpunk. And as if that wasn't enough, Koji Morimoto, the studio big boss, is charge of putting the icing on the cake with fantafabulous piece of abstract poetry that would make a VJ die of ecstasy. The party of the year.

สร้างจากเรื่องจริงของปี 1936 ที่ด้วยเรื่องราวเซ็กส์สุดสยองของชายหญิงคู่หนึ่ง อดีตพนักงานขายบริการเต็มรูปแบบ ซึ่งปัจจุบันทำงานเป็นสาวใช้ในโรงแรม เจ้าของโรงแรม ขืนใจเธอ และทั้งสองก็เริ่มต้นความสัมพันธ์ที่รุนแรงซึ่งประกอบด้วยการทดลองทางเพศและการตามใจตัวเองต่างๆ ความคลั่งไคล้ซึ่งกันและกันของพวกเขาทวีความรุนแรงขึ้นที่นำไปสู่ความโรคจิตวิปริตเกินเยียวยา , หนังเต็มไปด้วยฉากสุดฮาร์ดคอร์

ในช่วงยุคเอโดะ สองผู้มาใหม่ต้องเผชิญทั้งเล่ห์กลทางการเมือง การแก่งแย่งชิงดี และวิญญาณอาฆาต ซึ่งมีเพียงคนขายยาพเนจรเพียงคนเดียวเท่านั้นที่จะกำราบได้

In 1958 postwar Tokyo, the residents of a humble Third Street neighbourhood struggle, dream, and grow together as rapid modernisation transforms their lives beneath the shadow of the newly rising Tokyo Tower.

Tokyo, Winter. Despite the use of the Youth Ordinance Bill to enforce curfews for minors and regulate the use of the Internet, young people continue to fight for their own freedom through underground methods. One such group calls themselves Surat. They have decided to take on Fumito Nanahara, a man who has great influence on the political world, and basically controls Tokyo with an iron fist. While using the Internet as a weapon to discover more information about Fumito, they learn about "Tower", the secret organization behind Fumito which engages in human experimentation.

Plagued by a seemingly endless stream of haunting dreams, Tomoya drifts through life with an almost overwhelming sense of anger and emptiness. Then, one fateful day, he meets the mysterious and beautiful Nagisa, and his world begins to change. While helping Nagisa revive the defunct Drama Club at their high school, Tomoya discovers that she has the same dreams. Their story starts beneath the cherry blossoms, but where will fate lead them?