It is not immediately that the cinematic space is filled with fresh shots. The orders of the new government are initially carried out by the filmmakers remaining in Soviet Russia with pre-revolutionary experience. The agitfilm of the Civil War is replaced by a "revolutionary melodrama" by the mid-20s. The expansion of film production requires new personnel: young people come from the "left" theater, who in the very near future will have to create a new revolutionary cinema.
It is not immediately that the cinematic space is filled with fresh shots. The orders of the new government are initially carried out by the filmmakers remaining in Soviet Russia with pre-revolutionary experience. The agitfilm of the Civil War is replaced by a "revolutionary melodrama" by the mid-20s. The expansion of film production requires new personnel: young people come from the "left" theater, who in the very near future will have to create a new revolutionary cinema.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
This documentary promoting the joys of life in a Soviet village centers on the activities of the Young Pioneers. These children are constantly busy, pasting propaganda posters on walls, distributing hand bills, exhorting all to "buy from the cooperative" as opposed to the Public Sector, promoting temperance, and helping poor widows. Experimental portions of the film, projected in reverse, feature the un-slaughtering of a bull and the un-baking of bread.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
สารคดีตอนพิเศษที่จะพาคุณไปพบกับการกลับมาของโอบีวัน เคโนบี, อนาคิน สกายวอล์คเกอร์ และเรื่องราวยิ่งใหญ่สุดเร้าใจที่เชื่อมมหากาพย์ภาพยนตร์เข้าไว้ด้วยกัน
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
This documentary focuses on the actors and their journey over two summers to create the remake to the original IT, by Stephen King. The documentary originally released as bonus material, bundled with IT: Chapter Two.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.
An intimate documentary delving into Rian Johnson's process as he comes in as a director new to the Star Wars universe.