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Bernhard Heisig

In the mists of war and violence, the Harlequin, trumpet in hand, drifts through ravaged landscape passing a cripple and a marionette: Bernhard Heisig's pictorial worlds shock the viewer by depicting the great dramas of German history. Both a victim and a perpetrator in World War II and in the GDR dictatorship, the artist's search for sense and truth led him to his moving image formulas. Director Reiner E. Moritz converses with the renowned ex-principal of the Leipzig Hochschule für Grafik und Buchkunst (Academy of Visual Arts) about his work, which influenced the development of art for many decades in the rigid GDR system.

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    Bernhard Heisig

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In the mists of war and violence, the Harlequin, trumpet in hand, drifts through ravaged landscape passing a cripple and a marionette: Bernhard Heisig's pictorial worlds shock the viewer by depicting the great dramas of German history. Both a victim and a perpetrator in World War II and in the GDR dictatorship, the artist's search for sense and truth led him to his moving image formulas. Director Reiner E. Moritz converses with the renowned ex-principal of the Leipzig Hochschule für Grafik und Buchkunst (Academy of Visual Arts) about his work, which influenced the development of art for many decades in the rigid GDR system.

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Night Will Fall

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".

Night Will Fall

7.6 2014