Selected works 1986-1989 Backdrop Blur
Selected works 1986-1989 Poster
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Selected works 1986-1989

Silvia Gruner was born in Mexico City in 1959 to a family of Jewish Holocaust survivors. She studied at Bezalel Academy of Arts and Design in Jerusalem (BA 1982) and Massachusetts College of Art and Design in Boston (MFA 1986). She had her first solo exhibition, Conversaciones con un loto azul, at Thompson Gallery in Boston in 1986. At the time of her graduation and immediately afterward, Gruner made short, often silent films and performances that she recorded using a Super 8 camera. Often through repetitive gestures, her own body served as a vehicle to examine the ways in which the female figure is depicted and to subvert the ways in which the female form is used as a symbolic representation of tradition, values, and national identity. Arena (1986) Desnudos con Alcatraces (1986) Denudo Desciende (1986) El Pecado Orignal Reproducción (1987) Sin Título (1987) EL Parque (1987) Canción Gitana (1987) Cadaver Exquisito (1988) Pregunta (1988) El Vuelo (1989)

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Silvia Gruner was born in Mexico City in 1959 to a family of Jewish Holocaust survivors. She studied at Bezalel Academy of Arts and Design in Jerusalem (BA 1982) and Massachusetts College of Art and Design in Boston (MFA 1986). She had her first solo exhibition, Conversaciones con un loto azul, at Thompson Gallery in Boston in 1986. At the time of her graduation and immediately afterward, Gruner made short, often silent films and performances that she recorded using a Super 8 camera. Often through repetitive gestures, her own body served as a vehicle to examine the ways in which the female figure is depicted and to subvert the ways in which the female form is used as a symbolic representation of tradition, values, and national identity. Arena (1986) Desnudos con Alcatraces (1986) Denudo Desciende (1986) El Pecado Orignal Reproducción (1987) Sin Título (1987) EL Parque (1987) Canción Gitana (1987) Cadaver Exquisito (1988) Pregunta (1988) El Vuelo (1989)

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Salomé

After the lewd and frenetic Dance of the Seven Veils, and with the solemn pledge from the very lips of Herod himself that she could have whatever her heart desires up to half his kingdom, wanton and proud young Salomé comes before her king with an unreasonable demand. Beguiled by John the Baptist, and then scorned for the sake of his god, lascivious Salomé—encouraged by her mother, the vindictive, Herodias—commands that John be executed and his head delivered on a silver platter.

Salomé

6.2 2013
The Girl

Director Alfred Hitchcock is revered as one of the greatest creative minds in the history of cinema. Known for his psychological thrillers, Hitchcock’s leading ladies were cool, beautiful and preferably blonde. One such actress was Tippi Hedren, an unknown fashion model given her big break when Hitchcock’s wife saw her on a TV commercial. Brought to Universal Studios, Hedren was shocked when the director, at the peak of his career, quickly cast her to star in his next feature, 1963’s The Birds. Little did Hedren know that as ambitious and terrifying as the production would be to shoot, the most daunting aspect of the film ended up coming from behind the camera.

The Girl

6.1 2012