Peking Heartbeats

A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.

A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.

The definitive 3½-hour documentary about the troubled creation and enduring legacy of the science fiction classic 'Blade Runner', culled from 80 interviews and hours of never-before-seen outtakes and lost footage.

A look at the origins, history and conspiracies behind the "Majestic 12", a clandestine group of military and corporate figureheads charged with reverse-engineering extraterrestrial technology.

Live Aid was held on 13 July 1985, simultaneously in Wembley Stadium in London, England, and the John F. Kennedy Stadium in Philadelphia, United States. It was one of the largest scale satellite link-ups and television broadcasts of all time: watched live by an estimated global audience of 1.9 billion, across 150 nations. "It's twelve noon in London, seven AM in Philadelphia, and around the world it's time for Live Aid...!"

มาร์ติน สกอร์เซซี่ผสมผสานความจริงกับความเพ้อฝัน ขณะย้อนกลับไปดูการออกทัวร์ Rolling Thunder Revue ของบ็อบ ดีแลนเมื่อปี 1975 ในช่วงเวลาที่ประเทศกำลังโหยหาสิ่งใหม่ๆ

นี่คือภาพยนตร์คอนเสิร์ตฉบับเต็ม นำเสนอ "THE TORTURED POETS DEPARTMENT" ที่ถ่ายที่แวนคูเวอร์ บริติชโคลัมเบีย ช่วงโชว์สุดท้ายของทัวร์สร้างประวัติศาสตร์

Just two years away from turning 30, participants in Michael Apted's documentary series are facing serious questions of identity and purpose, wondering whether they've found their place in the world.

Spike Lee pays tribute to Michael Jackson's Bad on the twenty-fifth anniversary of the epochal album, offering behind-the-scenes footage of Jackson recording the album and interviews with confidants, musicians, choreographers, and such music-world superstars as Kanye West, Sheryl Crow, Cee Lo Green and Mariah Carey.

Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.