The editor of internationally acclaimed films, e.g. Ida, Cold War or Quo vadis, Aida?, is Jarosław Kamiński, a FAMU graduate. A native of Łódź, Poland, he takes a walk through his city in this short, refined film portrait, remembering his childhood when he used to run away from school to the cinema, and reflecting on his ties with today’s Poland and yesterday’s Prague alike.
The editor of internationally acclaimed films, e.g. Ida, Cold War or Quo vadis, Aida?, is Jarosław Kamiński, a FAMU graduate. A native of Łódź, Poland, he takes a walk through his city in this short, refined film portrait, remembering his childhood when he used to run away from school to the cinema, and reflecting on his ties with today’s Poland and yesterday’s Prague alike.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
A compilation of over 30 years of private home movie footage shot by Lithuanian-American avant-garde director Jonas Mekas, assembled by Mekas "purely by chance", without concern for chronological order.
A documentary about the making of David Fincher's 2008 film THE CURIOUS CASE OF BENJAMIN BUTTON. Virtually every element in the evolution of the Fincher's film is documented here, from the project's attachment to numerous other directors during the 1990s, to its shoot in 2006 and 2007 in New Orleans, to its complex, CGI-intensive postproduction process.
A documentary examining the decade of the 1970s as a turning point in American cinema. Some of today's best filmmakers interview the influential directors of that time.
The most comprehensive retrospective of the '80s action film genre ever made.
Lyrical and powerfully personal essay film that reflects on the deaths of her husband Lou Reed, her mother, her beloved dog, and such diverse subjects as family memories, surveillance, and Buddhist teachings.
Documentary about the art of film editing. Clips are shown from many groundbreaking films with innovative editing styles.
When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title "German Concentration Camps Factual Survey".
Ross McElwee sets out to make a documentary about the lingering effects of General Sherman's march of destruction through the South during the Civil War, but is continually sidetracked by women who come and go in his life, his recurring dreams of nuclear holocaust, and Burt Reynolds.
A documentary about how a dominant cultural and demographic institution both sustains their traditional activities and adapts to the digital revolution.